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Bittles‘ Magazine

Funkadelic Reworked

Towards A Dubb Everlasting: New Album Reviews

Bittles' Magazine/Platte

Music | Bittles’ Magazine: The music column from the end of the world

As I write this I have cocooned myself in a semi-professionally built pillow fort which I am hoping will withstand the coming winter months and keep me protected and warm. Right now the outside world seems so hideous that hibernating for as long as humanly possible seems like an excellent idea. Therefore, for the next few months I shall be hibernating with nothing but my loved one, a bumper packet of M&Ms and a batch of great music to keep me company. By JOHN BITTLES
Roman Flügel

Are You Anywhere: New Album Reviews

Bittles' Magazine

Music | Bittles’ Magazine: The music column from the end of the world

After a short break, during which I twiddled my thumbs, baked cakes and listened to nothing but the sound of silence, I’m back with some great new albums to meet all your listening needs. Unless you have been eagerly awaiting the new Cliff Richard record there is bound to be something for you here. By JOHN BITTLES
Salsoul Mastermix - Digital

An Ode To Better Times: New Album Reviews

Bittles' Magazine

Music | Bittles’ Magazine: The music column from the end of the world

In the wrong hands, nostalgia can be little more than a marketing tool, something which can be watered down, bottled up and sold. Yet, when done right it can arouse a wealth of emotions in the listener.
There is a distinct tinge of nostalgia to this week’s album reviews. From Kölsch’s homage to his teenage years on 1989 to 90s indebted new LPs from Bicep and Steffi. And if that isn’t enough, we have Dimitri From Paris delving into the Salsoul label’s archives, Lone’s wistful leap into the DJ Kicks series, and the return of 90s trip hop icon Tricky. By JOHN BITTELS
Zola Jesus

Music To Beat those Brexit Blues: September New Album Reviews

Bittles' Magazine/Platte

Music | Bittles’ Magazine: The music column from the end of the world

With Brexit looming ever closer, and the idiots in society having, somehow, taken control, we need escapism now more than ever. Cause let’s face it, with the media indulging in ever more divisive rhetoric, Trump and Kim Jong-un having a nuclear pissing contest, and Robbie Williams being an ongoing concern, it seems that reality has nothing to offer but misery and dismay. By JOHN BITTLES
Traum Ode to cold

Cruising Through Your Comfort Zone: An Interview With Ian Max Mauch

Music | Bittles’ Magazine: The music column from the end of the world

Ian Max Mauch may be a new name to most, yet his stirring live performances, together with his haunting remix of Mono No Aware by Mario Hammer And The Lonely Robot have marked him as something of a rising star. By JOHN BITTLES
Orme Black Spuma

High On Apfelwein Once Again

Music | Bittles’ Magazine: The music column from the end of the world

The thing about house music is that you can have all the technical expertise in the world yet only make songs which are tepid and limp. Without heart and soul any electronic track is nothing more than a succession of bleeps and beats. Two people who understand this concept all too well are Fabrizio Mammarella and Phillip Lauer. By JOHN BITTLES
TTTs - Althaea

Words Don’t Come Easy: New Album Reviews

Bittles' Magazine/Platte

Music | Bittles’ Magazine: The music column from the end of the world

After a summer filled with festivals, the act of listening to music in the sanctuary of your own home can appear a little strange. For a while every summer I briefly conclude that the best way to appreciate the bands or DJs that you love is while standing in a mud strewn field with ten thousand other people while the rain lashes down on your head. By JOHN BITTLES
Porter Ray

2017: The Albums Of The Year So Far

Bittles' Magazine/Platte

Music | Bittles’ Magazine: The music column from the end of the world

This week I have taken it upon myself to highlight, in no particular order, some of the albums released in the first half of 2017 which have forced me to crack a smile, and convinced me that getting out of bed isn’t a complete waste of time. By JOHN BITTLES
The Story Of Whatness: An Interview With Anton Kubikov

The Story Of Whatness

Music | Bittles’ Magazine: The music column from the end of the world

Since launching in 1998 Cologne label Kompakt have proven themselves masters of melody-rich techno, dance floor bangers, and pop-tinged house. Yet, as the imprint’s revered Pop Ambient series of albums attests, they are often at their very best when they lessen the pace. By JOHN BITTLES
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