Neulich in der Buchhandlung …

Bittles‘ Magazine

One of my favourite »Overheard in a Bookshop« moments …

Young Girl (with slight accent) – Do you have any books by Jane Eyre?
John (with his accent) – Aha, I suspect you mean Charlotte Brontë.
Young Girl – No, I mean Jane Eyre.
John – We have the book entitled Jane Eyre.
Girl – No, I mean the author Jane Eyre.
John – Did she, perchance work as a governess, at Thornfield Hall and carry on with the Byronic Mr Rochester?
Girl – Don’t know.
John – She is often considered ahead of her time due to the portrayal of the development of a thinking and passionate young woman who is both individualistic, desiring for a full life, while also highly moral. Jane evolves from her beginnings as a poor and plain woman without captivating charm to her mature stage as a compassionate and confident whole woman. As she matures, she comments much on the complexities of the human condition. Jane also has a deeply pious personal trust in God, but is also highly self-reliant. Although Jane suffers much, she is never portrayed as a damsel in distress who needs rescuing. For this reason, it is sometimes regarded as an important early feminist (or proto-feminist) novel.
Girl – She wrote Pumpkin Pie.
John – You mean Jean Ure.

| JOHN BITTLES

Ihre Meinung

Your email address will not be published.

Voriger Artikel

Ein Trip Hop Update aus Island und etwas andere Kinderlieder aus Korea

Nächster Artikel

Nicht ganz der Papa …

Weitere Artikel der Kategorie »Bittles' Magazine«

2016’s Tunes Of The Year

Music | Bittles’ Magazine: The music column from the end of the world Now that the year 2016 has come to an end it is the perfect time to sit back and reflect on what has been and gone. While it is hard to do this without lingering on the horrors which dominated the headlines, (Brexit, the rise of Trump, the passing of Prince, Bowie, Cohen, etc), it is important to remember that great things did happen over the last twelve months. By JOHN BITTLES

Synthesen

Music | Bittles’ Magazine: The music column from the end of the world

Diesen Monat geht es um Synthesen in der Musik oder: »Man muss das Rad nicht immer neu erfinden«. Dieser platte Spruch wird der Arbeit der Künstler*innen natürlich nicht gerecht, also anhand zweier Beispiele. Ich möchte unbedingt auf meine große Neuentdeckung aus dem Mai aufmerksam machen: Interstellar Funk hat die Compilation Artificial Dancers – Waves of Synth veröffentlicht, auf der 80er Wave und Synth Raritäten aus den letzten vierzig Jahren grandios koexistieren und der DJ zeigt, dass feinfühlig zu kuratieren, Kunst ist und schafft. Und dann werfen wir noch einen kleinen Ausblick auf die neue EP der Collective Cuts unter Cinthies Label 308 Crystal Grooves Collective Cuts: « Pages » Epilogue von S3A und Sampling als Kunst. Von LOUISE RINGEL.

The man who knew the answer!

Music | Bittles’ Magazine: The music column from the end of the world. An Interview With Jori Hulkkonen Producer Jori Hulkkonen has had the kind of career most of us can only dream about. Over the last two decades he has released a number of records on Laurent Garnier’s seminal F. Communication imprint, had a hit single with Tiga (Sunglasses At Night), DJed around the world, and created some of the finest electronic music known to man. Whether composing glacial ambiance, banging techno, sublime house, electroclash, synth-pop or any number of musical styles his music always contains a fabulous sense

Music Restricted Area: April’s New Albums Reviewed

Music | Bittles’ Magazine: The music column from the end of the world To say that there are some great albums out this month is a bit like saying that David Cameron is a little bit dodge. Amongst these new aural gems are the sublime electronica of Sasha, Yoshimi, Moderat and Dino Sabatini, the funked-up house of Potions, the alien beats and rhythms of Babyfather and Ash Koosha, the fuzzed-up guitar noise of Bleached, and more. By JOHN BITTLES

Concrete Deserts & Outerspace Blues: New Album Reviews

Music | Bittles’ Magazine: The music column from the end of the world There have been some pretty huge albums released over the past few weeks. From the return of Depeche Mode and The Jesus And Mary Chain, the schizoid pop of Goldfrapp and the electro funk japery of, er, Jamiroquai spring 2017 seems to be the season for massive LPs. But what of the fantastic albums by artists which aren’t heavily advertised, or don’t command reviews in the broadsheets? By JOHN BITTLES