Reaching For The First Blue Sky: New Record Reviews

Music | Bittles’ Magazine: The music column from the end of the world

With Brexit looming ever closer, those of us who live in the UK are preparing ourselves for the worst. If the hard-line Brexiteers get their way we will be dragged back to the dark ages, but with worse hair, clothes and hygiene. And even though, as I write this, hundreds of thousands march in London, while a petition to revoke Article 50 has reached over four million signatures, there is a feeling of powerlessness upon the people, that we are being forced off a cliff no matter what we do.

With politics in this country destroying what little equilibrium we have, the escapism supplied by music and culture is more important than ever. This month I will be discussing some of the recent releases which have been easing my depression and taking my mind to a better place. We have the big hearted rave rush of Placid Angles, the bitter-sweet ruminations of Masha Qrella, the lush house grooves of Octo Octa and Jayda G, the widescreen ambiance of Mario Hammer And The Lonely Robot, Weval’s smooth downtempo jams, and lots more. BY JOHN BITTLES

So, turn the news off and the volume up, and let us begin…

Placid AnglesTwenty-two years since its last appearance, John Beltran’s Placid Angles alias re-emerges this month with the delicate house majesty of First Blue Sky. Out now on Lone’s always fabulous Magicwire imprint, the album finds the celebrated producer mixing dreamy deep house, rave nostalgia, and melodic ambiance in style. The title track opens proceedings with some gentle breakbeats, a sunny disposition and just a hint of rave. The aural equivalent of a heartfelt hug, this really is a treat for the ears. Next up, Angel starts with some mournful sounding synths before the beats slowly but surely enter the fray. A Moment Away From You is gorgeously cute, its gentle keys and soft focus looped chimes giving it an air of optimism all too rare in today’s music scene. Also, worth checking are the LTJ Bukem style drum n’ bass of Vent, the heady house of Bad Minds, and the sunshine infused swoon of Breathe Her In. At times stunningly beautiful, First Blue Sky is an album guaranteed to bring some joy to your life. 9.5/10.

Jayda GWith a series of killer EPs enriching the coolest of dancefloors over the last few years, Berlin-based Canadian Jayda G takes the next creative leap forward with Significant Changes, her debut LP. Out now on Ninja Tune, the album contains nine lush funk and disco-infused deep house grooves. Unifying The Centre (Abstract) gets things off to a thoughtful, bleep heavy start, its stuttered beats and laid-back air a gentle introduction to what is to come. Next, Renewal (Hyla Mix) utilizes soft vocals, broken beats and a hint of melancholy to create a song full of emotion and depth. Stanley’s Get Down (No Parking On The DF) is a tongue-in-cheek message to those who remain motionless at gigs. “I see you, with your phone, looking at Instagram. This is the dancefloor baby, this is where you’re supposed to get down” Jayda intones over echoing synths and a loose funk jam. Also be sure to check the classic sounding Chicago house of Leave Room 2 Breathe, the DJ Sprinkles style Missy Knows What’s Up and the 90s sounding rave breaks of Sunshine In The Valley. 9/10.

Masha Qrella: Day After DayFor those of us who were entranced by the subtle beauty of Keys back in 2016 it has been a long wait for new music from Berlin native Masha Qrella. This month sees us rewarded for our patience with Day After Day, a gorgeous new three track EP. Out now as a digital download or on 10” vinyl, the record finds the artist in stunning form. Soft and pensive, the title track exudes a sense of quiet longing which can’t help but tickle your heart. With lyrics in English and German, the song’s acoustic elements and quiet samples merge with Masha’s voice to create six minutes of aural gold. Next we have the hushed acoustic strum of Long Road, a track which gently creeps up on the listener before setting up home in your soul. The record comes to an end with the spoken word jazz of Arthur, a song which recalls Deus and Velvet Underground over its twelve-minute running time. Needless to say, if you haven’t discovered Masha Qrella’s music yet now’s the time. 9/10.

Octo OctaAnyone nostalgic for the glory days of rave should make a beeline for For Lovers, the excellent new three track EP from Brooklyn artist Octo Octa. Out now on Ninja Tune offshoot Technicolour, the record is a dazzling journey into the joys of dance. Opener, I Need You is ten minutes of house music gold. Featuring Maya Bouldry-Morrison’s strong vocals, the track is a gorgeously atmospheric breakbeat led groover. Sounding huge on a quality soundsystem, the song seems both sad and euphoric, urging you to raise your hands to the sky one minute, shed a tear the next. Flip over for the dark techstep of Bodies Meld Together, where dubbed out house and the echoes of drum n’ bass collide. If someone told me this had come out on Reinforced back in 92 I wouldn’t be surprised. The package is completed by the gentle house swing of Loops For Healing. Written not long after the completion of their second album Where Are We Going? the song will grace any set. 8.5/10.

Mario HammerAfter two albums of hushed electronica and emotion-rich ambiance for Traum Schallplatten and BineMusic, German artist Mario Hammer And The Lonely Robot joins the Cocoon roster this month with the synth heavy musings of his third LP. Resembling a soundtrack to an imagined movie, Définition Synematique is rich and emotional, wasting little time in immersing the listener in its vividly realised world. Opener, Petrichor is a collaboration with fellow sonic wanderer Thyladomid, the song’s thoughtful atmospherics conjuring a plethora of moods. From here, Verstehen (also featuring Thyladomid) is a lush, romantic lullaby which tugs at the soul, Polot contains a welcome techno crunch, Ayurnamat is a beautiful Tangerine Dream style slice of ambiance, while Synematique ends things with a note of disquiet. Containing more than just a hint of nostalgia, Définition Synematique is a record as timeless as a smile. 8.5/10.

Weval: The weightDutch duo Harm Coolen and Merijn Schotte Albers, who are better known as Weval, return to Cologne label Kompakt this March with the heavenly house strains of their new LP. Out now, and featuring thirteen melody laden pop/house hybrids, The Weight is the perfect soundtrack to watching the clouds drift by. Full of gentle bass pulses, chugging synths and whispered vocals, the album’s laid-back jams work together to create a mood-enhancing whole. After the soulful strains of the title track, Roll Together merges Caribou style electronics with thoughtful trip hop. Other gems include the heavenly trance flourishes of Are You Even Real, Someday’s pensive indie-electronica, the spectral ambiance of Silence On The Wall, and the nostalgic hauntology of Heartbreak Television. While it can sound a little too tasteful at times, The Weight coaxes and seduces over its duration, its lush melodies and sun-kissed air a joy to behold. 8/10.

Laurel Halo: DK-KicksNow on its 68th edition, the long-running DJ Kicks series seems just as vital as it has ever been. After the wonderful eclecticism of Leon Vynehall’s mix from February it is American experimentalist Laurel Halo’s turn to take the reins. Featuring seven exclusives from the likes of FIT Siegel (Penny Rut), Machine Woman (Just Made Some Jazz Music), Ikonika (Bodied) and more, the Berlin-based artist’s selection is deeply electronic and shockingly good. Full of obscurities, left turns and surprises, this is about as far from the generic DJ mix album as it is possible to get. Laurel Halo’s own Public Art gets things going with some heady discordance, before tracks by Stallone The Reducer (Always Hate) and Red Axes Feat. C.A.R. (5 Min) see the introduction of industrial menace and techno leaning beats. From here the set takes in cold electro grooves, 80s tinged EBM, heady electronica and more. Merging the arty and the propulsive with aplomb, Laurel Halo’s DJ Kicks will be exciting open-minded dancers and mangling heads for many moons to come. 8/10.

These new puritans:  Inside the roseA special mention must also go to: Inside The Rose by These New Puritans – Returning with their first album since 2013, the British indie experimentalists’ new record is dense, hypnotic and pretty darn great, 9/10, DE:10.02 by V/AGlacial ambiance from Sun Electric, the soft house pulse of Higher Intelligence Agency and a ten minutes dub techno groove by Deepchord help celebrate the De:tuned label’s birthday in style, 8/10, Fabric Presents Bonobo by V/A – London institution Fabric begin their latest mix series with an eclectic selection of warm dancefloor beats, 8/10, Vest by Robert Solheim – The first in a two-part album release, Vest is full of long, lingering house tracks which touch on ambiance, trance and more, 8/10, Two Roomed Motel by Scott Gilmore – An album of dreamy ambient-flecked pop music which will bring a little sunshine into anybody’s home, 8/10, Groove Denied by Stephen Malkmus – The former Pavement guitarist embraces electronics on his new LP to produce an invigorating listen which may just be his best album is years, 8/10, The Fear Of Dying With Potential by Mâhfoud – Merging traditional instrumentation with electronica, Mâhfoud’s debut album ever so subtly sucks you right in, 7.5/10, V/A Velvet Desert Music Vol. 1 by V/A – Curated by Jörg Burger (aka The Modernist, The Bionaut etc), the first edition of Kompakt’s new compilation series takes in IDM, pop, folk, indie, and more, 7.5/10.


Ihre Meinung

Your email address will not be published.

Ernst Paul Dörfler - Nestwärme
Voriger Artikel

Unterhaltsam dargeboten

Nächster Artikel

Sut erzählt von Eldin

Neu in »Bittles' Magazine«

Don’t Shoot Guns Down: New Music Reviews

Music | Bittles’ Magazine: The music column from the end of the world

With clubbing and live music in serious jeopardy it is more important than ever to support the artists, mavericks, and all those twisted individuals who make it their lives work to bring us strange yet bewitching sounds. The entire world economy is still struggling to recover from Covid-19, and many involved in the arts are fighting to survive. While new records by The Killers, Ronan Keating and Biffy Clyro might make you want to give up on music entirely and leave it to its well-deserved fate, there are more than enough fresh, vital and funky new records to save the day. By JOHN BITTLES

The New Abnormal Is Here To Stay: New Album Reviews

Music | Bittles’ Magazine: The music column from the end of the world

Finding myself furloughed from work these last couple of months I have been using the extra time at my disposal to immerse myself in reading, writing and music. As well as rediscovering the joys of playing cup-and-ball (hours of fun) it was the following records which kept me sane while confined to my petite living space. By JOHN BITTLES


Music | Bittles’ Magazine: The music column from the end of the world

Diesen Monat geht es um Synthesen in der Musik oder: »Man muss das Rad nicht immer neu erfinden«. Dieser platte Spruch wird der Arbeit der Künstler*innen natürlich nicht gerecht, also anhand zweier Beispiele. Ich möchte unbedingt auf meine große Neuentdeckung aus dem Mai aufmerksam machen: Interstellar Funk hat die Compilation Artificial Dancers – Waves of Synth veröffentlicht, auf der 80er Wave und Synth Raritäten aus den letzten vierzig Jahren grandios koexistieren und der DJ zeigt, dass feinfühlig zu kuratieren, Kunst ist und schafft. Und dann werfen wir noch einen kleinen Ausblick auf die neue EP der Collective Cuts unter Cinthies Label 308 Crystal Grooves Collective Cuts: « Pages » Epilogue von S3A und Sampling als Kunst. Von LOUISE RINGEL.

The Lure Of The Soundtrack

Music | Bittles’ Magazine: The music column from the end of the world

Late last year I found myself entranced by Mati Diop’s wonderful Atlantics, a tale of forbidden passion, the perils of emigration and the fate of those who are left behind. Long, poetic shots of the sea merged perfectly with Fatima Al Qadiri’s intoxicating soundtrack to produce a stunning collage of meaning and evocations. Leaving the cinema that night I was struck at just how powerful a medium the soundtrack can be. By JOHN BITTLES

The New Sound Of Ambient

Music | Bittles’ Magazine: The music column from the end of the world

With much of the world in lockdown, news headlines seemingly taken from a bad sci-fi flick, and many of us experiencing some form of anxiety, right now we need a sense of calm more than ever. Ambient music can get a bad press but, when done right, it can transport the listener to a far better place. By JOHN BITTLES .