/

Frankie Knuckles: A Tribute To A True Gentleman of House.

Bittles‘ Magazine

As many of you are probably aware, Frankie Knuckles, the famous DJ and producer, passed away at his home in Chicago on the 31st of March 2014 from type II Diabetes-related complications. One of the originators of the house sound Frankie was much loved by everyone who had had the pleasure of meeting him, heard his music, or experienced the aural delight of one of his legendary DJ sets. By JOHN BITTLES

One of the few genuinely nice people to succeed in the music business he never abided by the moody DJ persona, was strictly anti-drugs and never wavered from supporting the music that he loved.

unnamedI was at work when I found out about the death of ‘The Godfather of House’. Usually celebrity deaths don’t affect me since there is more than enough loss encountered in everyday life to mourn the passing away of someone whom I didn’t even know. That wasn’t the case with Frankie Knuckles though. His death truly brought a great sadness to my heart since, even in the era of the moody DJ, he always came across as a genuinely nice person. Oh, and his music was pretty damn great!

Frankie Knuckles was born in New York on January 18th 1955 and first came to prominence through his DJ residency at the notoriously decadent Continental Baths where he played a luxurious mixture of soul and funk. Performing together with the legendary Larry Levan to an up for it predominantly gay crowd, those that were there still talk about these sets with a hushed sense of reverence.

Yet, it was at the Warehouse in Chicago where he was resident from 1977 to 1982 that his disco edits and passionate DJing began to see his name being dropped by taste makers in the know. It was also through the Warehouse club that ‘House Music’ is rumoured to have gotten its name, even though Frankie has since claimed that he never actually played any house there. In fact it was only after he moved to Ron Hardy’s Music Box that house developed into the main focus of his sets. Later, he also became a resident at the infamous Sound Factory, covering for the mighty Junior Vasquez. It was during this period in the late 80s and early 90s that he was first deferentially referred to in dance music circles as the undisputed Godfather of House.

Playing a mixture of gospel and soulful house which formed his signature sound he became one of the very first superstar DJs of the 90s, playing at the best clubs all over the world. The Hacienda were one of the first to bring him to the UK, yet he was perhaps better known for his epic sets at Delirium in London were he would play to a fervent and ecstatic crowd.

While he was quite rightly known as one to the best DJs in the world, Frankie Knuckles’ production work never quite had the same impact as his masterful command of the dancefloor. Yet, Let the Music Use You which he released under the alias of The Nightwriters is one of the most emotionally moving piece of house music ever committed to wax. Your Love is another bona fide dance anthem with that instantly recognizable bassline which never fails to send shivers up and down the spine. Tears, Whistle Song and, or course, Baby Wants to Ride with Jamie Principle are also top tunes that saw respectable sales and huge critical success. Also be sure to check out It’s A Cold World which is one of my all time faves and is house music with an absolutely gorgeous soul.

FrankieFrankie Knuckles was also loved for his wide selection of funky-asssed remixes that took even the most commercial of pop tunes and gave them a spiritual makeover that moved the soul as much as the feet. Numerous remixes for Michael Jackson, Chaka Khan and Diana Ross saw his stock rise steadily until the term Frankie Knuckles remix was seen as a sign of quality by all. Yet, it is his re-rubs of Electribe 101, Alison Limerick, Pet Shop Boys (Left To My Own Devices is a gem) and Depeche Mode which are pretty damn essential and are still vital to this day. Able to raise the roof in any club, these songs can inject a ray of sunshine and love onto even the darkest of dancefloors.

In 2004 the city of Chicago named a street where the Warehouse used to be Frankie Knuckles Way to highlight the cultural impact he had on the city where he helped create that musical movement called house. At the same time the 25th August 2004 was also declared to be Frankie Knuckles day. After that, being inducted into the Dance Music Hall of Fame in 2005 probably didn’t seem like such a big deal.

Still playing fantastic sets all over the world right up until the end, it is his deep-rooted enthusiastic love of the house music that made his name which will live longest in most peoples minds. He tended to talk about music in hushed spiritual terms recognising that a great song is so much more than a shallow collection of sounds. Frankie Knuckles was someone who lived music, breathed music, and who leaves behind a legacy that is rivalled by none.

Just a couple of weeks ago Xlr8tr Magazine gave us an unearthed and exclusive mix by Frankie Knuckles from his residency at The Sound Factory in 1990 which you can hear/download here For me, it perfectly captures the musicality and melody at the heart of his sets which is one of the many reasons why he will always be so revered and loved.

| JOHN BITTLES

Ihre Meinung

Your email address will not be published.

Voriger Artikel

Unter Gefahr für Leib und Leben

Nächster Artikel

Ein postmodern designter Käptn Haddock

Weitere Artikel der Kategorie »Bittles' Magazine«

A Regal Conversation with The Queen of House!

Bittles‘ Magazine | Interview with Screamin’ Rachael Rachael Cain, or Screamin’ Rachael as she is better known, is a bit of a legend in the house music scene. Labelled the »Queen of House« by those illustrious people at Billboard magazine, the name has stuck since it seems quite apt. Over the years Rachael has had a string of releases and been heavily involved with the legendary Trax Records. She has also invented her own musical genre (hip-house) together with Africa Bambaataa, and released some of the most sleazy, euphoric and downright funky music to be found. By JOHN BITTLES

Auf der Couch weit weg: Zwei Alben zum Wegträumen

Music | Bittles’ Magazine: The music column from the end of the world

Nach wie vor spielt sich ein Großteil des Lebens gerade zu Hause ab und ich stelle fest: Die guten alten eigenen vier Wände können Schloss oder Gefängnis sein. An den einen Tagen wirken sie weit und bieten Raum und an anderen werden sie eng und nehmen Platz zum Atmen. Wahrscheinlich ist das der beste Moment, um sich in Gedanken zu verlieren und wegzuträumen. Andere Welten, andere Geschichten oder andere Zeiten. So unterschiedlich sie auch sind, Velvet Desert Music Vol. 2 und Lys sind Alben, die genau das erreichen. Sobald die eigene Außenwelt ausgeblendet ist, wird die Musik zu Bildern hinter dem inneren Auge. Von LOUISE RINGEL

A Trip To The Silent Harbour

Music | Bittles’ Magazine: The music column from the end of the world Dutch producer Boris Bunnik is a man of many aliases. Over the years he has been responsible for a series of stunning genre defying tracks as Conforce, Versalife, Hexagon, Vernon Felicity and Silent Harbour. Someone who understands the importance of patience and space, releases on labels such as Delsin, Clone, Rush Hour, Frustrated Funk and Echocord have cemented his reputation as a producer able to inject a vivid sense of personality into the music he creates.  Disregarding the restrictions of BPM count or style, all of his

Reflections Of A Strange Existence: New Singles Reviews

Music | Bittles’ Magazine: The music column from the end of the world Sometimes it can seem that buying singles has become a bit of a dying art! In the age of downloads, people seem to want throwaway songs to play on their iPhone rather than something they can actually touch and feel. Here in Belfast for instance the last place that would regularly get in new dance 12inches has given it up because there simply wasn’t the demand.By JOHN BITTLES

In Praise Of Minor Forms: New Single Reviews

Music | Bittles’ Magazine: The music column from the end of the world This week, and the next, I shall be ignoring the fact that it is Record Store Day to bring you a selection of the finest 12-inch records known to man. In part one alone we have the lush house grooves of Peggy Gou, Ross From Friends and LK, the rich electronica of Francis Harris and Darren Nye, the noisy funk of Rex The Dog, the sample heavy grooves of Bassically, and lots more. By JOHN BITTLES