Nightmares & Ravine Dreams: New Singles Reviewed

Music | Bittles’ Magazine: The music column from the end of the world

With UK clubs closing faster than Donald Trump can find people to offend, finding a safe place to dance on a Saturday night can seem futile at times. Recently London institution Fabric joined the likes of Plastic People and The Arches in closing their doors for good! By JOHN BITTLES
While Fabric was far from perfect, its closure seems symptomatic of something rotten polluting UK club culture, (namely property developers and greedy local counsellors eyeing an opportunity to make a quick buck). Yet, while it gets ever more difficult to find a haven where you can hear great music, the amount of fantastic house and techno tracks being released is at an all time high. This week alone we review fabulous new singles and EPs by Bruce Trail, Oake, Salz, Bludwork, Killawatt, PBR Streetgang, Steve Bug, The Invisible, and more.

So, before some property developer tries to convert your decks into a multi-storey carpark, we had best begin…

Bruce Trail - Ravine DreamFollowing stellar releases by Lance Neptune and Project Pablo, Lone’s Magic Wire label keeps standards sky high with the electronic swoon of Bruce Trail’s Ravine Dream EP. Mixing classic house sounds with soulful melancholia, the record’s four tracks are the type of dance music I could happily listen to repeatedly for months. Opener, Over Falls has stunning synths and gentle percussion sitting atop a subdued New York style groove which slowly but surely gets you in the mood. Next track Bridgework adds echoing vocals over bumping beats to craft a track which is to dancing as vinegar is to fish & chips. Silver II opens side two with some lush deep house,and recalls legends such as Moodymann or Larry Heard. Capable of reducing a grown man to tears, this is one of the best house songs I have heard in years. Final track, Fly By Night, sounds like a lost 80s electro jacker which is so good it could cause scenes of rapturous limb flinging in an old folks‘ home. Reminiscent of the retro house flavours beloved by labels such as 100% Silk, Ravine Dream is an EP you simply must hear. 10/10.

Oake - Monad XXIVEric Goldstein and Konstanze Bathseba Zippora create music so dark that the first time you hear it you almost want to run to your mum. Under the moniker Oake their releases on Regis‘ celebrated Downwards label took the techno template and instil it with a heavy sense of dread. This September the duo join the Stroboscopic Artefacts roster with Monad XXIV. Across four tracks and almost thirty minutes of music they merge techno rhythms, bowel shaking bass and sinister atmospherics to sculpt an unbelievably immersive and thrilling aural world. Tracks such as L’Esclandre, Jardin D‘évasion and Hélicorde are so vividly realised that it is all you can do to not get gleefully lost within these densely orchestrated surroundings. Beware though, as when listening to this EP phones will go unanswered, pets will be unfed. Saving the best to last, the final track Paysage Dépaysé is an emotionally devastating electronic swansong which ends the EP on a goosebumps inducing high. 10/10.

Salz, Mario Hammer & The Lonely Robot, IvanovMention the name Salz to any dub techno connoisseur and instantly, you will have won yourself a friend. Over the years their output has encompassed lush ambiance, the warmest of dub grooves, smoke flavoured house, and much more. After a two year gap they re-enter the fray with their new single Reworks Pt. 7. Out now on Cologne imprint Telrae, the single sees the pair remix tracks by Mario Hammer & The Lonely Robot and Ivanov. The A-Side features the gentle bass pulse and electronic atmospherics of the Salz Rebuild of Mario Hammer’s Nefelibata. At almost eight minutes long, this is a tune which confidently burrows its way straight into your brain. Fans of Deepchord, Fluxion or Basic Channel will find themselves in dub techno heaven as the steady 4/4 thump gradually sets itself up as the cornerstone of the piece. On the flip, the Salz Reshape of Ivanov’s Silk is a little more sedate, but every bit as good. Addictive and hypnotic, this is music which could rescue even the crappiest of days. 9/10.

Silk Bludwork NightmareThis month Long Beach resident Bludwork debuts on Amanda Brown’s 100% Silk label with the sun-kissed melancholia of Nightmare. Across six laidback, yet groove filled tracks the producer successfully injects emotion, melody and soul into electronic soundscapes so good you never want them to end. At times recalling the dubbed out disco of the Idjut Boys or Mark E, Nightmare is a record which works perfectly when listened to as a whole. Opener Axiom Voicings has a gorgeously lethargic air, its analogue squiggles bringing to mind a time when the slogan ‚house is a feeling‘ was more than a cool sample to use. Next up, Acolyte is a loose, languid deep house delight, conjuring images of sitting on a beach wondering why it is you are all alone. Further in, Loose Grip sounds so stoned it seems to come out of the speakers at a crawl, Go Demon brings to mind the wide-eyed innocence of early Ikonika, while Melt Them ends things on a lush, yet slightly discordant air. Far too good to only be heard by hipsters, do yourself a favour and track this one down. 9/10.

Killawatt - Fazed Next up we have some ‚proper‘ techno business with the Fazed EP by Killawatt. Best known for a string of releases on Osiris Music, the producer reportedly composed his new record “at a poignant intersection of Killawatt’s existence”. If this is true then, perhaps, we should be encouraging all our favourite musicians to undergo their own long dark teatime of the soul. It really is that good! The menacing low slung bass of the title track opens proceedings in stunning style. As likely to induce feelings of paranoia as unhindered abandon on the dance floor, this is uncategorizable dance music which simply has to be heard. Of the other tracks, Livewire is a relatively subdued piece of jittery ambiance, while Okinawa is a glorious head melter which demands you turn up the bass. Remixes by Sergie Rezza and Ossia complete the package, but it is the three originals which ensure this enters the realms of the must buy. 9/10.

A tribute to KlangclubAfter killer releases from the likes of Juju + Jordash, Rick Wade, Gigi Masin and more, Unclear Records reach peak form this September with the second in their A Tribute To Klang Club series. Available from the end of the month the record features Move D, Fred P, Christopher Rau and Easy To Remember who all contribute a track apiece. With the previous instalment containing the groove filled techno of UK veteran Baby Ford, together with a lush house track by Roman Flügel, expectations for the follow-up are understandably high. Luckily Vol. 2 doesn’t let us down! House legend Move D gets us off to an impressive start with the slow burn techno of Rise! Next up, Fred P turns in an old school piece of jackin‘ house in Lush Life, which slowly, but surely rises to the boil before ending on a string filled crescendo. While Christopher Rau slightly disappoints with his Daft Punk pastiche Unclear Joint, the smooth bassline and classic Chicago house grind of I Don’t Know by Easy To Remember bring things to a club pleasing close. 8/10.

PBR STREETGANG ShadeAs PBR Streetgang, Bonar Bradberry and Tom Thorp have been responsible for many unforgettable moment on a dance floor. Their 12.32 track, recently released on Futureboogie, contained twelve minutes of dance music so good it left clubbers everywhere in danger of losing their cool. This September the duo join the Crosstown Rebels family with the chunky funk of their Shade EP. Put simply, the title track has a bassline to die for! Pairing spoken word samples with a sleek and sexy groove, this is perfect for those 3AM moments when those left dancing have reached an almost euphoric state. Recalling the output of Pagan, or Paper Records in its dubbed out delight, this will make any middle-aged veteran reminisce about the good old days of house. Reading meanwhile is more geared towards the peak time floors, yet slightly loses its way to become a bit of a bore. Much better is the I:Cube remix of Shade, which pairs melancholic strings, rave horn blasts, garage basslines and all manner of strange yet wonderful bedfellows to create something which is unlike any house track you have ever heard. 8/10.

Steve Bug - Rexology 500After releases from residents D’jul and Phil Weeks, Rex Club’s burgeoning record label enters the big time with a killer new EP from Poker Flat boss Steve Bug. The aptly named Rexology EP hit record store shelves on the 20th September and contains two original compositions and a remix from Rod. Lead track What’s Happened? utilizes echoing dub stabs over a rising house tempo, acid tweaks and a classic Chicago spoken word vocal to create a nice little head mangler. The moment, three minutes in, when the sub bass bursts into life is close to sublime! The Rod remix ups the pace but, crucially, loses the funk in an energetic workout which attempts to compensate for a lack of subtlety with its ability to bang. The day is saved though by Berlinian Rexing, a long, luxurious mid-paced house jam which ably recalls the glory days when the likes of Ten Walls and Innervisions could do no wrong. More for the club than the home stereo, DJs and house disciples will still find much here to enjoy. 8/10.

Dovim - MakarattaA special mention must also go to: Makaratta by Dovim – With five original compositions and five remixes, Traum’s latest EP is longer than most albums. Yet, when the melodic house  of tracks such as Argula, Alchera and Mirrimina soar towards the heavens you’re still left wanting more, 9/10, Vanished Breath EP by Shlømo – The French producer returns to Darko Esser’s Wolfskuil Ltd label with a nicely varied five track EP. From the soundtrack style menace of The Ritual, to the tough rhythms of Obsession this is techno music which looks far beyond the demands of the floor, 8/10, Vague Response by Akasha System – Six tracks of emotion rich house music which bring to mind the melodic funk of the like of Mr. Fingers or Theo Parrish, 8/10, Onda by Black SpumaFabrizio Mammarella and Phillip Lauer team up for a beautifully laidback EP out now on International Feel, 8/10, Motor City Sunrise by AD/D – The deep house master-class of the title track caresses the aural receptors and soothes the soul, 8/10, River/Ghost by Gardens Of God – Lithuanian artist Gardens Of God launches his Sodai imprint with a pair of melodic and trance tinged bangers, 7/10, and Box by The Bug – Bassbin worrier The Bug re-emerges on UK label Ninja Tune with the twisted grime of Box. Pairing Double E’s mutated rap vocals with a gloriously squelchy bass, this is tough, urban and is guaranteed to aggravate your mum, 7/10,

The Invisible - Life's DancersAlso worth checking: Life’s Dancers by The Invisible – The string drenched Floating Points remix is a gorgeously emotional slice of classical inspired electronica that will make you want to seek out your loved ones to give them a hug, 8/10, From the Other Side by Uner – Three tracks of sophisticated house music with a melodic edge, with the druggy techno of Steve Bug’s Dancemotive remix sealing the deal, 8/10, Far Away From A Distance by Simian Mobile Disco (SMD) – Since the indie dance crossover catastrophe of Temporary Pressure, electronic duo SMD have followed a strange, insular path towards techno gold. Their new single on their Delicacies imprint brings to mind a tougher version of the traditional Innervisions sound, 7/10,

Labyrinth by Tuff City Kids with Annie – A precursor to their debut album, the duo of Gerd Janson and Phillip Lauer rope in the vocal talents of Norwegian pop princess Annie for a distinctly 80s style house jam, 8/10, The One by Nils Penner – A quartet of ‚proper‘ house music tracks out now on Compost Black Label which will cause hearts to leap and spirits to soar, 8/10, A Change Is Gonna Come by Lapien – The title track is a dance floor ready epic, and well worth tracking down, 7/10 and Bag Of Bones by Felix Laband – Head straight for the Luke Vibert remix of Righteous Red Berets to discover a softly padded slice of melancholy which gently warms the soul, 8/10.

StrömeAnd let’s not forget: Nr. 1 by Ströme – Two musicians from brass techno band LaBrassBanda break away to serve up a triple treat of deep, driving house. The rave tinged bleeps and lush piano line on You will have any dance music fan grinning like a loon, 9/10, Spectrums Vol. 2 by Erosion Flow – The melodic techno of Syvv is the type of track which could cause scenes of devastation in the right DJ’s hands, 8/10, Part III by The End Of All Existence – Techno don Milton Bradley adopts his The End Of All Existence moniker for an intense four tracker which builds steadily from the eerie ambiance of Choir Of Devastation to a satisfyingly deep orchestra of thumps, 8/10, Device Control by Wolfgang Tillmans – Fans of the dark will find ample stimulation in the sinister beatscapes and creeping menace of Salem’s remix of Make It Up As You Go Along, 7/10, Vol. 6 by Steaward & Théo Muller – Four tracks of rough, dubbed out techno, with the classic sounding house of the superbly named Dubby Wan Kenobi being the pick for me, 8/10, Standards Of Beauty by Bookworms – Those who like their house music slightly left of centre will find much to enjoy here, 7/10, and Slide Away by Trevino – Ignore the one dimensional techno of the bulk of the EP and head straight to the jackin‘ futurism of the title track where low-slung bass, a shuffling beat and some atmospheric synths work together to create a sumptuous house groove, 7/10.


Ihre Meinung

Your email address will not be published.

Voriger Artikel


Nächster Artikel

ohne titel

Weitere Artikel der Kategorie »Bittles' Magazine«

Auf der Couch weit weg: Zwei Alben zum Wegträumen

Music | Bittles’ Magazine: The music column from the end of the world

Nach wie vor spielt sich ein Großteil des Lebens gerade zu Hause ab und ich stelle fest: Die guten alten eigenen vier Wände können Schloss oder Gefängnis sein. An den einen Tagen wirken sie weit und bieten Raum und an anderen werden sie eng und nehmen Platz zum Atmen. Wahrscheinlich ist das der beste Moment, um sich in Gedanken zu verlieren und wegzuträumen. Andere Welten, andere Geschichten oder andere Zeiten. So unterschiedlich sie auch sind, Velvet Desert Music Vol. 2 und Lys sind Alben, die genau das erreichen. Sobald die eigene Außenwelt ausgeblendet ist, wird die Musik zu Bildern hinter dem inneren Auge. Von LOUISE RINGEL

2015:‭ ‬The Albums Of The Year

Music | Bittles’ Magazine: The music column from the end of the world The year‭ ‬2015‭ ‬was a strange time for music.‭ ‬Huge albums by the likes of‭ ‬Blur,‭ ‬The Libertines,‭ ‬Foals,‭ ‬The Chemical Brothers,‭ ‬Leftfield and‭ ‬Grimes failed to sparkle as,‭ ‬in the mainstream at least,‭ ‬there seemed to be very few stand-out LPs.‭ ‬The year appeared to lack that one‭ ‬unifying album which would‭ ‬woo pundits,‭ ‬pop fans,‭ ‬clubbers,‭ ‬indie kids and hip hop heads alike.‭ ‬There was no‭ ‬Blue Lines,‭ ‬Dummy,‭ ‬Whatever People Say I Am,‭ ‬Nevermind,‭ ‬or‭ ‬LP1.‭ By JOHN BITTLES

Ein Telefonat mit Christian Löffler

Music | Bittles’ Magazine: The music column from the end of the world

Christian Löffler ist ein Unikum in der elektronischen Musik. Ist kein Partyhengst und keine Rampensau. Spielt er nicht gerade selber, ist er höchstwahrscheinlich nicht im Club anzutreffen. Er wirkt aus der Ruhe seines Refugiums in Norddeutschland. Christian verbindet das Sehen und Hören miteinander, indem er malt, fotografiert, Musik macht und Geräusche sammelt und zwischen ihnen übersetzt. Das Ergebnis ist melancholische, empfindsame und feingliedrige Musik. Sein neues Album, Lys, wurde Ende März in einen Ausnahmezustand hineingeboren. Livestream statt gefüllter Hallen zum Release. Nach der Review des Albums im letzten Beitrag hatte LOUISE RINGEL Fragen, die Christian ihr im Telefonat beantwortet hat. Sie haben über Livestreams, emotionale Musik in emotionalen Zeiten und weibliche Stimmen gesprochen.

Acid Anniversaries: New Album Reviews

Music | Bittles’ Magazine: The music column from the end of the world January and February are usually quiet months for new music. So it is with 2017! New Year hangovers and Christmas overspending means most artists keep their shiny new records under wraps until the daffodils start to bloom. For the discerning listener though, there are still enough quality new releases to be found to make a trip to the local record store worthwhile. By JOHN BITTLES

Post Dænce Floor Grooves: An Interview With Slam

Music | Bittles’ Magazine: The music column from the end of the world Slam are a band who need no introduction. With a name inspired by a legendary Phuture track the DJ/production duo of Stuart McMillan and Orde Meikle have, over the years, been responsible for some of the most vital techno and house to find its way to these ears. Their DJ sets in clubs such as Glasgow institutions Sub Club and The Arches have become the stuff of legend, while tracks like Positive Education, Stepback, Azure and Vapour are the highlight of any night spent on the dance