Blinded By The Sun: An Interview With Phil Kieran

Music | Bittles’ Magazine: The music column from the end of the world

Phil Kieran is something of a musical chameleon. Shifting between tempos and genres with glee, he is a DJ/producer who, over a long and distinguished career has never been content to continuously revisit one sound. From the tough techno of his celebrated EPs on Soma, to the low-slung funk of his Le Carousel alias, taking in any number of twisted delights in between, Mr Kieran ably fits the definition of master of all trades. By JOHN BITTLES

This month sees the release of his brand new album Blinded By The Sun. Out now on Jamie Jones‘ Hot Creations imprint, on the record Phil teams up with vocalists Jess Brien and Wilson Magwere on a collection of songs which bridge the gaps between pop, ambiance, funk, indie and house with ease. Opener Solar Storm merges the dense, urban rhythms of Massive Attack with reggae-infused vocals to send shivers racing up the spine. From here, the album takes a multitude of unexpected twists and turns, yet, somehow, manages to sound great when played as a whole. Highlights include the warm technoid crunch of Realities Forgotten and the Miss Kittin style electroclash growl of Make A Change. Other picks include Don’t Give Up’s lush deep house beats, the acidic squiggle of No Life, and the synth-heavy pop of I Can’t Help Myself. It’s all good though, with the album more than warranting repeated plays.

phil-kieran-blinded-by-the-sunBlinded By The Sun is a pop-infused blast of optimistic beats and grooves. Anyone who has unashamedly shed a tear on the dancefloor while singing along to a Ten City, Masters At Work, or Frankie Knuckles track will likely find themselves misty eyed and nostalgic from the moment Solar Storm first kicks in.

In the following interview Phil Kieran discusses his new album, working with Jess Brien and Wilson Magwere, working with the Creations label, Le Carousel, and lots more.

For those who have never had the pleasure of hearing your music, can you tell us a bit about who you are and what you do?
I have previously released an album on Cocoon and under two other monikers Le Carousel and Alloy Mental. I have remixed people like Depeche Mode, Nitzer Ebb, Andrew Weatherall, David Holmes and many many more.

Your new album Blinded By The Sun came out on the 7st of October. What was the idea behind the LP?
Its an honest look at the slightly darker side of nightlife and the real experiences that people have.

If you could pick one track to sell the album which would it be and why?
Its difficult to choose, but I would pick Dont Give Up because I’m happy with the results sonically and emotionally. Everyone seems to pick a different track but that’s cool with me, in fact I quite like that.

Solar Storm, the album’s atmospheric opening track features spoken word vocals by Wilson Magwere who is originally from Zimbabwe. What’s the story behind this song? And,was it always destined to be the album’s first track?
Yes it was always intended to be the opening track from the start. I’ve used the sun as a thread throughout the record. Wilson delivers it in a way that I never could, whilst the idea came from me he gives it the mystery I was looking for.

PHIL KIERAN 500pxVocalist Jess Brien contributes vocals to nine of the album’s ten tracks. How did you two meet, and what made you decide to work together?
It was a chance meeting in a venue called the Limelight Belfast. We were out in the smoking area and we just happened to get talking. She told me she was a singer and I asked her to send me a demo, a few days later I got a couple of tracks and I just loved the sound of her voice. We tried one track and it really worked so just kept going.

One of my favourite tracks on the album is the slow burn groove of Realities Forgotten. Can you tell us a bit about how this song came about?
I can just imagine somebody doing exactly that. Maybe forgetting the reality of that moment or just the reality of life – losing yourself in the music as a means of escape.

The album is coming out on Jamie Jones‘ Hot Creations imprint. How did you first hook up with them?
Me and Jamie have kept in touch over the years and he has always been playing tracks of mine. I guess he likes what I do and when I approached him with the album half finished he decided it would be cool to put it out on Hot Creations.

When you look back over your previous releases can you think of a thread, idea, or a sound that unites them?
I try to make my music as varied as possible so I’m not repeating myself, I always like to feel like I’m trying new things otherwise I get bored. I’m sure there are things that connect the music from my past but if there is it’s not intentional.

Your Le Carousel album from 2013 is still a firm favourite of mine. Do you have any plans to revisit the project anytime soon?
Yes! That’s the next project, and I have already started a bunch of new stuff for it, so I am looking forward to getting stuck in.

You are well known for your scintillating DJ sets. What is the secret to rocking a club?
Oh why thank you, I find the best nights are when the music changes or evolves, I’ve never really been a fan of just playing the same vibe all night. For me I have to feel something special about each track before playing it. Every track has to say something special.

If a DJ plays a fantastic set yet no-one is dancing, have they really played a great set?
I guess sometimes people can be playing to the wrong crowd or they expect something different from the DJ.
I guess it depends on the kind of music they are playing and what stage of the night, personally I like to see people having as much fun as possible but I like to get into their heads.

What five records are working for you right now?
Sven VäthOFF (Roman Flügel mix)
Pearson Sound XLB
Daniel AveryClear (Abdulla Rashim Remix)
Rrose Levitate
Sigha New Puritan

PHIL KIERAN 800pxYou were born in Belfast, and in the album’s press notes you say I grew up in Northern Ireland and was surrounded by hate and love at the same time, and yet we always used music to escape hatred and bigotry. Ultimately love and music can win. How big an effect do you think Belfast has had on the music that you create?
Punk and techno are such a a big part of Belfast and still to this day is part of who I am.

What five places in Belfast would you recommend for visitors to check out?
Botanic Gardens.
Cathedral Quarter.
The MAC.
Giants Ring.
St Georges Market.

Do you have any final words for our readers?
I’m doing a really cool secret location party for the album launch on the 15th October. Buses leave from the side of Belfast city hall at 7:45pm and return to the same spot 3am. Tickets and info on my website

Blinded By The Sun should be available in your local record emporium and download stores. If you’re feeling a bit lazy though you can just follow this link.


Ihre Meinung

Your email address will not be published.

Voriger Artikel

Folkdays aren’t over…

Nächster Artikel

Kein bisschen zimperlich

Weitere Artikel der Kategorie »Bittles' Magazine«

The man who knew the answer!

Music | Bittles’ Magazine: The music column from the end of the world. An Interview With Jori Hulkkonen Producer Jori Hulkkonen has had the kind of career most of us can only dream about. Over the last two decades he has released a number of records on Laurent Garnier’s seminal F. Communication imprint, had a hit single with Tiga (Sunglasses At Night), DJed around the world, and created some of the finest electronic music known to man. Whether composing glacial ambiance, banging techno, sublime house, electroclash, synth-pop or any number of musical styles his music always contains a fabulous sense

Love & Happiness: New Album Reviews

Music | Bittles’ Magazine: The music column from the end of the world This week I will be highlighting some albums which may just make your hearts go aflutter and your feet do little leaps of joy. With Winter preparing to nestle down for a good long rest there is a string of new records coming out which will put a spring in anybody’s step. We have some lush house sounds from Strictly Rhythm and John Tejada, the disco-tinged indie of Franz Ferdinand, the lovelorn acoustics from Robert Earl Thomas, and lots more. By JOHN BITTLES

The Remixes of Andrew Weatherall

Music | Bittles’ Magazine: The music column from the end of the world Throughout its brief history the remix has been a vital part of dance music. It allows producers, DJs and engineers to re-interpret a song, add a phat beat and make it relevant for the dance floor. The art of a good remix is to re-interpret the original song and take it somewhere the band, singer, producer didn’t even know it could go. By JOHN BITTLES

Music for Voyeurs

Bittles‘ Magazine With the world of music still reeling from the new Daft Punk album it’s hard to believe that there’s loads of great new music out there desperately vying to be heard. With all the hype about this release you could easily come to the conclusion that all people want is a load of regurgitated pop-disco crap. Hopefully that is not the case and there will be many who’ll be excited at the mountain of fantastic new releases coming out this month. Boards of Canada, Gold Panda, Jagwar Ma, Lust For Youth and loads more are hitting us with

For Those Of You Who Have Never: New Album Reviews

Music | Bittles’ Magazine: The music column from the end of the world I have always been a fan of the humble compilation. Although much maligned in recent years, they can be a great way to introduce yourself to new artists, or genres. This June has seen a surge of quality collections all begging to be reviewed. Some are designed to showcase a particular label (Floor To Floor for Dusky’s 17 Steps, Facticity for Functions‘ Infrastructure New York, The Lost Tapes for Code Is Law), the selection skills of a certain DJ (Tim Green’s Body Language mix, Ryan Elliott’s Fabric