Music | Bittles’ Magazine: The music column from the end of the world
Don’t you just love March? Spring has finally reared its head, people begin to remember that it doesn’t hurt to smile, and there is a horde of great music appearing in your local record shop. This week we’ll be highlighting some great new albums which only a complete and utter fool would dare to miss. We have the rap brilliance of Porter Ray, the classic house grooves of Octo Octa, the deep ambiance of Anjou and Marc Romboy, the languid rock of Real Estate, and lots more.
So, before all this sun goes to my head, we had better begin…
Every so often a rap album comes along which illustrates how fantastic and exciting this most abused of genres can be. Last year fabulous long-players from De La Soul and A Tribe Called Quest showed all the new kids how proper hip hop is done. After a slow start to 2017, March heralds the arrival of Watercolor by Porter Ray, the year’s first essential rap LP. Out now on iconic grunge label Sub Pop, the album follows releases by Shabazz Palaces and Clipping. to demonstrate how the Seattle label isn’t just about slacker vocals and crashing guitars. Gloriously laidback, yet with many tracks containing a welcome bass crunch, Watercolor is a record which looks to the highs of the past while striving to create something vital and new. With guests including THEESatisfaction, Nate Jack and Shabazz Palaces, the album is a blast from beginning to end. Fresh sounding and funky as hell, Watercolor is a hip hop album which utilises a full palette of colours to craft something which will illuminate even the dullest of days. 9.5/10.
Fans of house music with soul are in for a treat this month with the release of Octo Octa’s brand new LP. Where Are We Going? is out late March (April 7th on vinyl) on the always excellent Honey Soundsystem and is sure to delight any fan of the producer’s previous work. Over the course of nine emotion drenched dance floor grooves Maya Bouldry-Morrison shows why they are one of the most hotly tipped artists around. Opener, Where Are We Going? Pt. 1 gets the party started with some fluttering synths, blurry melodies and a beautifully Balearic air. Next up, On Your Lips injects tough Chicago beats into the fray, which underpin gloriously mournful vocal samples and a melody which seems to soar to the sky. Other gems include the 80s style bass strut of Until The Moon Sets, the breakbeat infused rave of Move On (Let Go) (De-Stress Mix), the tribal dance floor throb of Preparation Rituals and the spine-tingling trance of Adrift. The whole album is excellent though, ensuring that Where Are We Going? will keep you dancing long after other records have faded away. 9/10.
The music of Brooklyn band Real Estate tends to waft out of speakers like a soft summer breeze. Since their self-titled debut in 2009 they have excelled at creating warm guitar pop filled with a sense of wistfulness which could enchant even the bitterest of souls. The group return this month with the hazy reflections of fourth album In Mind. With the majority of the songs written by vocalist and guitarist Martin Courtney, In Mind finds the band overcoming the departure of founding member Matt Mondanile in some style. If anything, the change in line-up has revitalised the band, with them sounding as content in their blissful contemplation as they ever have. Songs such as Serve The Song, Stained Glass, Holding Pattern, and Same Sun may not rewrite the rock/pop template, yet they are undeniably lovely all the same. Offering a much-needed respite from the awfulness of the modern world, In Mind is wonderfully indulgent, and offers a delightfully pensive high. 8.5/10.
The label PAN has long become the go to place for any electronic music fan with an open minded attitude and adventurous ears. Previous releases by the likes of Visionist, Lee Gamble, M.E.S.H., Objekt, and Afrikan Sciences explore a techno-shaped world completely removed from the tyranny of the 4/4 beat. This month the imprint unleash their first ever compilation in the ambient mood swing of Mono No Aware. Maintaining a delicate balance between beauty and noise, the album is largely beatless, yet still manages to pack a mean punch. The record opens with a flourish in the spellbinding beauty of Kareem Lotfy’s Fr3sh. Further in, Limerence by Yves Tumor merges stolen moments with soft synths to stunning effect. Other gems include, Ayya’s Second Mistake, which revels within its unsettling air, Huit by SKY H1, which recalls FSOL at their most forlorn, while Zhao Hua by Hvad & Pan Daijing ends things with a breathtaking flourish. While not everything on here works, there are more than enough moments of sonic brilliance to make tracking this down a must. 8/10.
Disco house label Eskimo Recordings present the latest in their colour-themed compilations this month with the mellow funk of The Red Collection. For those who appreciate the more subdued or melodic side of house music these yearly albums have long entered the realms of the ‚must buy‘. So it is with The Red Collection, which contains thirteen songs by the likes of Max Essa, Satin Jackets, The Soft Machine, and numerous people so cool even I haven’t heard of them before. Evoking images of shimmering sunsets, sandy beaches, and breathy sighs, this is music to conjure the spirit of the Balearic isles in anyone. Solitaire by Hermigervill gets us off to a wonderful start, its sun-kissed synths and glossy melodies recalling Aeroplane or Prins Thomas at their most relaxed. Other picks include the Jam & Spoon style trance/pop of Closer To Life by Atella X Frøder, the RnB flecked This Time/Remember by Else Born, the slo mo groove of Blue Motel’s LWTK and Atella’s Sand In Shoe mix of The Beekeeper by Horixon. Perhaps too cheesy for some, Eskimo’s latest will make the perfect soundtrack to lounging in the sun. 8/10.
Over the last few years, US label Kranky have been bringing out some of the most potent and enthralling ambient music to be found. Records by Loscil, Earthen Sea, Forma and MJ Guider were deep and penetrating, with more than enough going on to ensure that listeners are never in danger of dropping off to sleep. In mid March the label continue their hot streak of form with the release of Epithymía, Anjou’s sophomore LP. Across six long, languid tracks the duo of Mark Nelson and Robert Donne conjure vividly realised aural worlds which linger long in the mind. Opener Culicinae is stunningly beautiful, yet strangely disquieting, and acts as the perfect introduction to the joys to come. Further in, Soucouyant recalls the downtempo excursions of Global Communications in its melodic majesty, An Empty Bank shifts from bleary jazz to discordant threat with ease, while Georgia ends things on a horror score style high. Far more than mere background music, Epithymía is an album of deep listening which takes great delight in sending the odd shiver racing up your spine. 8/10.
A special mention must also go to: Structures And Light by Group Zero – Belfast lad Cathal Cully takes a break from Girls Names to give us an LP of glistening electronica and vintage synths. Resembling something you’d hear from Ghost Box, it’s spacey, sleazy and great, 8.5/10, Subtropics by Unknown Me – Inspired by an imagined trip across the globe, Subtropics‘ serene ambiance washes over the listener like balm for the soul, 9/10, Sensorimotor by Lusine – Jeff Mcllwain’s gorgeous house music is a treat for both head and soul. A point well proved with the heart-stopping soundscapes on his new LP, 8/10, Imaginary Boys by Golden Diskó Ship – On her third album Berlin artist Theresa Stroetges adds a vital component to her electronic drenched pop, bass, 8/10, Brand New Day by Mr. YT – Featuring tracks originally released in 1997/98, this compilation of Yuji Takenouchi’s work brings to mind the lush deep house of Larry Heard, 8/10, Sinister Mind by Marc Houle – Kicking off a three album cycle for his own Items & Things label, Sinister Mind features dark, 80s inspired techno which isn’t afraid of the odd vocal or two, 8/10, Dys Functional Electronic Music by V/A – A triple vinyl release of tough techno beats which seems like the perfect way to celebrate five years of Repitch Recordings, 8/10, and Hyper Flux by Herva – Out now on Planet Mu, hyper beats are joined by a nostalgia-tinged haze to create a body of work which calls to mind the rave inspired electronica of Lone, 7/10.
And let’s not forget: Voyage De La Plane by Marc Romboy ・ Released on his brand new label Hyperharmonic, Marc Romboy’s first solo album in eight years is a largely beatless record which will reside in your heart for a very long time, 9/10, Cinderland by High Plains ・ Loscil’s Scott Morgan teams up with cellist Mark Bridges on a wonderfully atmospheric and introspective LP, 8/10, BLD by Acid Pauli ・ Laidback shuffles and and ambient textures combine in an album which takes a few listens before it sets up residence in the mind, 7/10, Detroit House Guests by Adult ・ Nicola Kuperus and Adam Lee Miller return this month with a spooky electronic record featuring collaborations with Douglas J McCarthy from Nitzer Ebb, Swans‘ Michael Gira, Shannon Funchess from Light Asylum, and more, 7.5/10, Memories (2008-2011) by Synkro ・ After the chilled brilliance of his Changes album Apollo Records collect highlights from the producer’s early EPs, 8/10, Hyper Opal Mantis by Kangding Ray ・ Dense, hypnotic techno music which speaks to the gut as much as the floor, 8/10, Africa Gets Physical by V/A ・ With gems by Ryan Murgatroyd, Jazzuelle & Lazarusman, and Floyd Lavine this collection of South African artists by Get Physical is full of house music sure to woo any dance floor, 7.5/10, Harbour by Dapayk & Padberg ・ Trance melodies, vocal harmonies and chilled house combine on an album which will make the perfect soundtrack to a lazy day, 7/10.