This Our Last Resolve: New Album Reviews.

Music | Bittles’ Magazine: The music column from the end of the world

Those tired of bland, uniform music are in for a treat with this week’s selection of album reviews. Masters of angular beats, leftfield rhythms and discordant grooves, the only thing which all the following artists have in common is their healthy distaste for the norm. By JOHN BITTLES

We have the techno/ambient mutations of Rival Consoles, the post IDM crunch of µ-ZIQ, the melancholy folktronica of Grouper, the dub techno pulse of Fluxion, and loads more.

So, prep those ears, grab yourself a sneaky Kitkat, and let us begin…

rival consoles persona London producer Rival Consoles makes a very welcome return to the Erased Tapes camp this month with the emotional juggernaut of his new LP. Combining moments of quiet ambiance with rich IDM and driving techno, Persona is a powerful, highly affective listen which will make the heart of any electronic fan leap with joy. Opener, Unfolding, sets us up nicely, building slowly but surely, before erupting into a crescendo of wondrous noise. Further in, the title track is a Kompakt-style melodic bomb which immediately works its way under the skin, while Memory Arc’s beatless meditation allows the listener to grab a quick breath before Phantom Grip entices with its deep, heady throb. Other picks include the gentle undulations of Be Kind, the Four Tet-style rush of Sun’s Abandon and Hidden’s mid-paced techno growl. With superb production values throughout, Ryan Lee West’s follow-up to the excellent Howl is a record which should have a warning sticker informing listeners of the danger of their jaw hitting the floor. 9/10.

my ziq Planet Mu head Mike Paradinas has been using his µ-Ziq alias to beguile and confuse a legion of audio nerds since the fucked-up rhythms and tortured melodies of Tango N‘ Vectif back in 1993. Challenge Me Foolish is a new full-length of ‚lost tracks‘ from the 1998-99 era when Mike was touring with Björk and releasing celebrated records like Royal Astronomy on Virgin sub-label Hut. Full of melodic flourishes, fractured beats, and pastoral soundscapes, Challenge Me Foolish is a must listen for anyone who likes their electronica with an edge. The lush, but busy down-tempo jam Inclement gets things off to a gorgeously atmospheric start, preparing us for the heady trip hop of Undone and the strange folk tones of the title track. Further tips include the welcome injection of discordance of Bassbins, the deliciously strange low-end mutations of Durian, and Sad Inlay, which mixes pop vocals and a twisted version of drum n‘ bass with aplomb. Star of the show though is the echo-heavy IDM of Playbox, a track with the power to mess with anybody’s head. 9/10.

Fluxion - Ripple EffectWhile the idea of a score for a non-existing film might have you running for cover for fear of catching a fatal dose of pretentiousness, don’t let that put you off Ripple Effect, the fabulous new LP by dub techno legend Fluxion. Out now on Vibrant Music, the album finds Konstantinos Soublis in stunning form. With an artist’s sense of texture and space, the Echocord/Chain Reaction producer conjures a world of images and emotions from a minimal sound palette. Train Incident sets the scene nicely, opening proceedings with some soft beats and a deep bass pulse to leave the listener hungry for more. Everything here is quality, but be sure to pay particular attention to the percussive trippiness of The Meeting, the dusty jazz of Another Side and the dramatic tension builder which is Tipping Point. Resembling one long atmospheric mood piece, Ripple Effect is a record of bass-infused ambiance and slow-paced techno grooves which any fan of Basic Channel or Echospace will adore. 8.5/10.

grouper grid of pointsNext up, Liz Harris returns to her esteemed Grouper alias with the haunting folk/electronica of her new mini-album Grid Of Points. While it is short at under 30 minutes long, the album is a fully realised body of work which conjures an air of melancholy which seems to cling to your very soul. Out now on Kranky, the record’s seven tracks were recorded in a mere week and a half and feature little more than gentle piano, the sound of silence and Liz Harris‚ hushed vocals. The effect on the listener is quietly mesmerising, invoking images of heartbreak, sorrow, and a parent lovingly singing to a sleeping child. Apparently inspired by “the idea that something is missing or cold”, Grid Of Points is never brash or abrasive, never demands that you pay attention. Instead it is happy wooing you slowly, allowing its moments of spectral beauty to win you over. Made to be enjoyed as a whole, lovers of all things David Lynch, Nils Frahm, or the mournful majesty of Low will find much here to enjoy. 8/10.

Fahrland MixtapeVol.1After an eight year hiatus, Alexander P. J. Geiger rejoins the Kompakt imprint with some fresh sounds and a brand new alias. Inspired by the forested countryside of Fahrland, near Potsdam, Mixtape Vol. 1 is a gloriously eclectic affair which eschews genres and tempos with ease. Adopting the Fahrland moniker for the release, Geiger has returned sounding reinvigorated and refreshed. Light and playful, the opening pair of Get Up and Suspension revel in their melodic ambiance and pave the way nicely for the electro pop vocals of I Am Robot. Next, Beggin Feat. MZ Sunday Luv is the sound of cloud rap goofing around, while Plastic People (also featuring MZ Sunday Luv) is a slightly sleazy disco jam. Also worth checking are the vocal-led trip hop of Yesterday, the hazy funk jam Sky So High and the bitter-sweet melodies of Windshield Gently Wipers. It’s all good though, and in a world of po-faced producers and ear-bleed techno, the fact that Fahrland doesn’t take himself, or his music too seriously helps make Mixtape Vol. 1 more than worthy of your time. 8/10.

cuba - Caibu Out now on the Hotflush Recordings label, Caibu, Paul Rose’s debut album under the SCB alias is a dystopian record full of sinister atmospherics and ominous beats. The artist, best known as Scuba, has long been at the forefront of the UK techno and dubstep scenes, helping bring the latter to Berlin and challenging minds and feet with a succession of cerebral, yet propulsive bangers. The tracks on Caibu find him concentrating for the most part on futuristic techno, with twelve tracks of tough, club-ready minimal tools. Utilizing the barest of ingredients the album is a dark, forbidding affair which will rock many a dance floor, but may struggle to entice repeated plays at home. Picks include the bleep-heavy tones of Test Tubes, the sample-led bass squelch of Manufactured Consent and the dub-heavy rhythms of Extinct. With a strong narrative thread throughout, and a superb understanding of the use of space, there is more than enough here to keep any dance music fan amused.  8/10.

Takecha - Deep Soundscapes LP - Love PotionA special mention must also go to: Deep Soundscapes by Takecha – Loose, languid and positively dripping with soul, Swedish label Love Potion give us an album of deep house brilliance from Takeshi Fukushima, 9/10, Gypsophila by Roman Poncet – The French producer returns to the Figure imprint with an album of classic techno grooves. Check out the heady dub of the title track for a jam so good you’ll never want it to end, 8.5/10, Forth Wanderers by Forth Wanderers – A record full of heart-filled indie pop songs out now on Sub Pop, 8/10, Wake The Dead by The Third Eye Foundation – Hazy melodies and shuffling beats combine, while the emotion-drenched ambiance of the title track is close to sublime, 8/10, Rejuvenate by Paul White – The R&S Records artist ditches the beats to give us a record of psychedelic-tinged pop music with a sunny disposition, 7.5/10, Loud Patterns by Makeness – House and techno rhythms back Kyle Molleson’s treated vocals on an album which will go down well with any Hot Chip devotee, 7.5/10 and Flowers From The Ashes: Contemporary Italian Electronic Music by V/A – Fab tracks by Silvia Kastel, Chevel, Lucy and Neel help make this compilation on Stroboscopic Artefacts a must buy, 8.5/10.

Deadbeat Wax Poetic For This Our Great ResolveAnd let’s not forget: Wax Poetic For This Our Last Resolve by Deadbeat – Bass-heavy atmospherics and heady electronica merge with a righteous sense of anger in a thrilling listen of modern dub soul, 9/10, Exile And The New by Adamo GolánFrancis Harris Kingdoms imprint come up with the goods yet again with a gorgeous eight track LP full of lush ambient soundscapes, 8.5/10, Go Away Little Boy: The Columbia Anthology by Marlena Shaw – A double CD of classic soul nuggets recorded between 1977 and 1980 which is pretty much guaranteed to raise a smile, 8/10, Anniversary Remix Edition by Žagar – Head straight for the deep house beauty of Terry Lee Brown Jr.’s take on Prophet Is A Fool for a classic slice of dance floor funk, 8/10, The Four Worlds by Mark Pritchard – Out now on Warp, the dense electronic throb of Glasspops is worth the price of admission alone, 8/10, Muscle Of Synths by Ron Flatter – For his sophomore LP the German artist merges big-room trance and Booka Shade-style minimal to create a set which will sound huge in the right setting, 7/10, and Body Language Vol. 19 by Aero ManyeloGet Physical’s celebrated Body Language mix series reaches its 19th edition with a set of new and exclusives blended together with panache, 8/10.


Ihre Meinung

Your email address will not be published.

Voriger Artikel

Tod und Teufel

Nächster Artikel


Weitere Artikel der Kategorie »Bittles' Magazine«

House Killed The Radio Star: New Release Reviews

Music | Bittles’ Magazine: The music column from the end of the world With a strong emphasis on house music (for no other reason than this is what has been floating my boat recently), this month’s reviews section is full of deep dancefloor grooves. We have the smooth melodies of Robag Wruhme, the disco flecked eclecticism of Benjamin Fröhlich, Anthony Naples’ dark and gritty jams, the club friendly pop of Hot Chip, some deep techno pulses from Kölsch, and lots more. By JOHN BITTLES

Some House Based Grooves to Cheer Up Your Autumn!

Bittles‘ Magazine Ah, November! That time of year when you can still get good music before the tidal wave of cash-in best offs, and albums your granny might like begin flooding the market (hello Keane and The Killers). By JOHN BITTLES

Music From The Margins: New Albums Reviewed

Music | Bittles’ Magazine: The music column from the end of the world Usually when I am sitting on the street with my placard reading ‘I write about music for a living, please give generously’ people will take pity and throw a few coins in my lap. The other day though, someone took umbrage at my sign, demanding that I follow them home. After a hearty meal of pot noodle and chips he insisted that I watch coverage of the BBC Radio 1 Big Weekend Festival. 20 minutes of charmless pop later he switched the TV off, turned towards me

Crap Gigs, And How To Survive Them

Bittles‘ Magazine We have all been there! You’re at a show and the sound is so bad you can’t discern the music from the feedback. Or you are squeezed into a corner so tightly by an unforgiving and unwashed throng of people that you literally feel like you might die from lack of oxygen. Perhaps you enter the venue like an eager beaver and scan the crowd for friendly faces only to realise straight away that you have made a huge mistake. By JOHN BITTLES

10 Reasons To Get Out Of Bed In The Morning

Music | Bittles’ Magazine: The music column from the end of the world As we’ve started our journey into 2018 it seems only fitting to look back and pay tribute to the great music which excited our ears over the past year. While it seemed as if most of the world went mad in 2017, there was at least a constant supply of great new music which made getting out of bed and engaging with humanity seem worthwhile. By JOHN BITTLES