Music For Heart, Brain and Feet: New Release Reviews

Music | Bittles’ Magazine: The music column from the end of the world

With 2020 now in full swing there are a raft of great new releases springing out of hibernation to hit record store shelves. These are rare creatures though, only to be found if you know where to look. That’s why, this week, I shall be introducing you to some of the fabulous records which you might not find within the bland offerings of Amazon or HMV. We have the mournful electronica of Recondite and Steven Rutter & Bryonii, the 80s tinged house of Jordan, the wistful folk stylings of Arborist, Emika’s heartfelt piano ballads, and lots more. By JOHN BITTLES

So, wax out those ears, cast aside any distractions from your life, and let us begin…

DwellLorenz Brunner returned to his well-regarded Recondite alias late January with the lush electronica and deep techno grooves of Dwell. After the spacious ambiance of Daemmerlicht from early last year, Dwell finds the producer returning to the dancefloor with ten tracks of melancholy heavy sounds. The title track opens proceedings with some mournful synths and moody beats. Restrained and thoughtful sounding, this is a song which is content to exist within its own shadowy world. Next up, the eerie beat driven atmospherics of Nobilia would sit nicely on a Mo’Wax comp from back in the day. Further in, Black Letter has a trance-like melody to die for, the mid-paced Mirror Games is guaranteed to be the highlight of any warm-up set, Surface is so gloriously deep you could get lost within its grooves for days, while the contemplative Moon Pearl should be officially recognised as a work of outstanding beauty. Quietly understated and emotionally powerful, Dwell is a record which may not ‘get the party started’, but which enriches your very soul. 9/10.

Nocturne Edits 002With the first of the Nocturne Edits series being played everywhere from Panorama Bar to Ulster Sports Club it seemed only a matter of time before a sequel would hit the shelves. Arriving late February, Nocturne Edits 002 finds the mysterious producer sometimes known as Jordan offering four high quality edits of 80s influenced funk. Boogie Down gets things off to a blistering start, a heavily treated vocal sitting atop a driving disco beat. Hypnotic and gloriously deep, this is a track which has already been causing a stir wherever it’s been played. The loose funk strut of Touch Me follows, a female vocal intoning ‘touch me with your heart’ over a vintage bassline. Flip over for the ‘John Carpenter lost in a disco’ sound of Visitors and the pure euphoric rush of Simon Says. With each track a winner and vinyl only as always, get down to your local record emporium now to avoid being fleeced on Discogs or enduring the indignity of having to wait for a repress. 9/10.

Star crossedFireScope Records head and one half of legendary IDM duo B12, Steven Rutter teams up with vocalist Bryonii this March for a wonderfully atmospheric ten track LP. Out on Steven’s own imprint, the record pairs warm electronics with lush vocals on an album which recalls Thom Yorke’s solo work, early Portishead or the best of 90s trip hop. While lots of this type of music can sound overbearingly polite, on StarCrossed the duo get the balance just right. Opener Juliet is eerie and unsettling, Bryonii’s voice nestling within some hushed acid squiggles and whispered beats to stunning effect. Recalling Billie Ray Martin’s Persuasion in its haunting intensity, this is a sign of the treats to come. LDLM continues its predecessor’s ominous air, bringing to mind the experimental yearning of FKA twigs in its mournful beauty. Other picks include the playful bass wobble of Oxygen, Room Without A View’s lullaby like aural trip, and the fractured r&b of Chinese Whisper. Sounding simultaneously alien and startlingly humane, StarCrossed is a thoughtful, contemplative album which offers a deeply immersive listening experience for anyone with the courage to dive in. 8.5/10.

Arborist Belfast band Arborist follow the Home Burial album this month with the spectral beauty of their new LP. A Northern View is out now, available from the band’s Bandcamp page and finds Mark McCambridge and co creating a warm, inviting aural world. The album’s eleven tracks are full of hushed folk stirrings, sigh-filled lullabies and open-hearted pleas. A Stranger Heart opens with some contemplative strings before suddenly morphing into a Neil Young style slice of melancholy. Beautifully heartfelt, this is about as good a beginning as any LP can hope to have. Here Comes The Devil meanwhile, has an urgent sense of yearning impossible to ignore. Further in, The Guttural Blues is quietly magnificent, the spoken-word Taxi is brimming with a sense of nostalgia, while the windswept title track closes proceedings in style. Drenched in a rich sense of longing, A Northern View is a wonderful album which, even after a single play, feels like an old friend. 8.5/10.

Air Texture 7Next up we have some deep electronics with the latest volume in the Air Texture series. Following an excellent selection of introspective techno and electro via Steffi and Martyn on the previous volume, Air Texture VII finds Rrose and Silent Servant exploring darkened realms. The first CD finds London based Californian Seth Horvitz (Rrose) blending together selections by Anthony Child, Ron Morelli, Laurel Halo, Octo Octa and more. Heady and surreal, the mix starts out with the deep ambiance of Anthony Child’s Forced Compliance Behaviour, Decision-Making And Effort and Robert Aiki Aubrey Lowe’s 8th Continent In 5 Dimensions. From here the album builds in intensity until Laurel Halo’s Dies Ist Ein offers a welcome moment of respite. For his selection Juan Mendez adopts his Silent Servant persona to present 14 tracks of brooding ambiance and mesmeric grooves. Highlights include the gloriously trippy When It Twists by Luke Slater, the dub splattered angst of Volatile Stillness by Pod Blotz and the old school techno/trance thump of June And An-I’s Afterlife. Deeply hypnotic, listening to Air Texture VII is like inviting the cold winter night into your home. 8.5/10.

Emika - Klavirni TemnaBerlin resident Emika’s new album is a tranquil, contemplative delight. Released on Valentine’s day, Klavirni Temna is the spiritual sister to Klavirni which came out to critical acclaim back in 2015. Formed of fourteen solo piano pieces full of space and emotion, the music recalls the classical indebted ambiance of Nils Frahm or Max Cooper in their hushed sense of wonder. Serene and introspective, the songs on Klavirni Temna swell with feelings of nostalgia and melancholy and will surely be soundtracking images on your television screen soon. According to the press notes, the album was recorded in a time of “ultra-hyped up creativity combined with a massive fear about losing my identity or creativity as an artist once I would become a mother”. As such, songs like Dilo 23, Dilo 29 and Dilo 33 overflow with a sense of yearning, and a trepidation which seeps into your very soul. At times hauntingly beautiful, Emika’s latest embraces you like a warm hug. 8.5/10.

Come Home - GreyscaleA special mention must also go to: Come Home EP by Mike Schommer – Featuring vocals by Milly James, legendary dub techno titan Mike Schommer’s latest EP is deep, dubby and divine, 9.5/10, Love Beyond The Intersect by Space Dimension Controller – The follow up to Welcome To Mikrosector-50 is a funk-filled delight of vintage sounding electro grooves, 9/10, Fluids Of Emotion by Eris Drew – The hotly tipped producer/DJ’s eagerly anticipated debut solo EP is a rave-tinged beauty, full of euphoric dancefloor jams, 9/10, Tangerine by Shanti Celeste – Released back in November on the always excellent Peach Discs imprint, Tangerine is full of quirky ambiance and bass heavy house, 8.5/10, Images by Synkro – Three tracks from last year’s Images LP receive the remix treatment from Claro Intelecto, Sieren and Sad City, with the deliriously heady Sad City refit of Realize the stand-out for me, 8/10, Invisible Island by Midori Hirano – Dreamy ambiance and vivid soundscapes abound in a bewitching album which is the perfect soundtrack for closing your eyes and allowing reality to slowly drift away, 8/10, Pop Ambient 2020 by V/A – Also ideal for chasing away the horrors of modern life is the latest in Kompakt’s long running compilation series, 8/10,  Wait On Me by Felipe Gordon – The always on point Toy Tonics imprint come up trumps yet again with four tracks of house goodness, 8/10, and Nothing Matters When We’re Dancing Vol. 10 by V/A – To celebrate their tenth birthday, Berlin institution CockTail d’Amore give us a compilation formed of three groove-laden 12”s. Turn the volume up, and it’s almost as if you’re there, 9/10.

| JOHN BITTLES

Ihre Meinung

Your email address will not be published.

Voriger Artikel

Goldfische um die Wette geschluckt

Nächster Artikel

Galileo!

Weitere Artikel der Kategorie »Bittles' Magazine«

The Art of Depression With Sonic Boom

Bittles‘ Magazine Sonic Boom is not only a fantastic name for a band, it is also the nom de plume of Peter ›Sonic Boom‹ Kember, who was one of the founding members of the exceedingly excellent Spacemen 3. Spectrum is the only commercially available album he ever released under this name, yet it still stands as a momentous record that bewitches with its dense, layered sound. Released over 20 years ago, it isn’t of its time, or this time, or any time. In fact it is something else, separated from trends, fads or anything else which dilutes music to a

House Killed The Radio Star: New Release Reviews

Music | Bittles’ Magazine: The music column from the end of the world With a strong emphasis on house music (for no other reason than this is what has been floating my boat recently), this month’s reviews section is full of deep dancefloor grooves. We have the smooth melodies of Robag Wruhme, the disco flecked eclecticism of Benjamin Fröhlich, Anthony Naples’ dark and gritty jams, the club friendly pop of Hot Chip, some deep techno pulses from Kölsch, and lots more. By JOHN BITTLES

The Fight Against Adele: November New Album Reviews

Music | Bittles’ Magazine: The music column from the end of the world Over the last couple of weeks it seems all that everyone has been talking about in the world of music is the return of Adele. The blanket coverage given to 25 would make anyone think she was the only artist to be releasing music anymore. Thankfully this is not the case! By JOHN BITTLES

Wisdom Is A Dancer: An Interview With Kim Brown

Music | Bittles’ Magazine: The music column from the end of the world Without a doubt one of the musical highlights of 2013 was the album Somewhere Else It’s Going To Be Good by the Berlin-based duo Kim Brown. Its lush deep house textures, orchestrated beats and dazzling synth melodies instantly won it universal love and critical acclaim. Three years later and it still sends shivers up and down the spine. By JOHN BITTLES

The Death Of The Three Minute Pop Ditty

Music | Bittles’ Magazine: The music column from the end of the world The singles market has systematically been destroyed over the last few years. For me, the process began with the decision to limit the length of a single, and how many songs it can contain. Before this we had bands like The Orb releasing 40 minute songs and bands such as The Verve and Oasis bringing out sublime four track EPs. By diminishing its value the humble single became even more disposable than it already was. Nobody took chances anymore! By JOHN BITTLES