//

An Interview with Jonsson/Alter

Bittles‘ Magazine

Like any right-minded music lover I fell a little bit in love with Mod, the debut album by Jonsson/Alter upon its release in the cold autumn months of last year. It was the type of record that drifted into your consciousness and resided there unobserved until you came to realise how completely empty your life would be without it. So when news emerged of a follow-up I have to admit that I punched the air in delight (for me as a typical working-class male that is one huge display of emotion. Seriously!). By JOHN BITTLES

jonsson-alter_14112The problem with following up an album that was so cherished and adored is that it is notoriously difficult to satisfy us reviewers/fans who maintain exceedingly high expectations for whatever may come next. We are a fickle and testing breed who will be unbelievably upset should the next record not sound similar to the first. Yet, we will be equally dismissive should the new album not push the originals sound further since, as we all know, in the world of house music, it is a crime for a producer to musically stand still.

The good news is that 2 is every bit as marvellous as Mod! The great news is that in terms of production values and dancefloor appeal it is even better! The album positively brims with melody and features some of the cleanest, purest production I’ve heard all year. It is hard to pick highlights since the overall standard is pretty darn high, yet Lyftet soars gloriously with beautiful synths from heaven, Brevet Hem is a heads down disco delight, while lead single Ein Melodi is quite simply sublime.

The Berlin-based duo who are made up of Henrik Jonsson and Joel Alter bonded after discovering a mutual love of old synths and have been releasing melodramatic house and glistening techno together ever since. Not much is known about the band so when offered the chance to throw some quick-fire questions their way I literally leapt at the chance. And you can read the results below!

jonsson-alter_14110
For those unfortunate people out there who haven’t heard your music yet, can you tell us a little bit about who you are and what you do?
We are two artist from the Swedish west-coast. Working with sound and experimenting
with melodies trying to make the very best house music that we can do.

Your previous album Mod is a stunning listen and a real favourite of mine. How does 2
compare to your debut?
Thank you! More defined and balanced.

What made you decide that the time was right to record a follow-up to Mod?
We never really stopped working and after a while it felt natural to start thinking in terms of a new album. There was still a lot to explore musically. And we also did grow as
a band.

For me the production on 2 is a lot richer and fuller than on your debut. Do you agree? If so, were there any changes in the production process that may have effected this?
We agree. The first album was recorded much faster and in a bedroom. This time
we made it slower and let ourselves go deeper into every sound and detail.

The record is a gorgeously deep affair which makes it perfect both for clubs and home listening. Was there a plan to strike a balance between the two styles?
Yes.

Lyftet seems to have subtle rave influences! What do you feel about how the return of rave is being hyped as the next big thing?
Rave is part of our history, we were out in the woods as kids. At that time dance music
was allowed to sound in many different ways under the same roof. We love that. Lyftet is a song about friends having a good time.

You work with Kazumi who provides some pretty lush vocals for the track Brevet Hem. How did you find working together with a vocalist?
After recording this song we felt that it demanded a beautiful vocal. We know Kazumi from earlier but never worked together before. She lives nearby and we did one perfect session. The session lasted for the time we finished a bottle of prosecco.

Do you think you will be working with more vocals in the future?
Yes. Hopefully.

What’s your favourite song on the album?
There are a few. But for us the whole is the importance. Every song has its moment.

Are you looking forward to performing these new songs live?
Yes. We just performed our first live with the new material in Stockholm.
It felt very natural and the response was great.

Do you have any plans to play in Germany (or London) anytime soon?
We are currently booking our album tour. Looking forward to play all over.

What was your first introduction to house/electronic music?
Henrik used to listen to his Mom’s Kraftwerk and Brian Eno records as a kid.
Joel was given a tape of Jean Michel Jarre from a friend of his parents.
It was the 80s, it was great.

How did you first meet? And what made you decide to team up?
We first met in Gothenburg. Later we both moved to Berlin and became neighbours.

What are the best and worst things about working as a duo?
One good thing is that we don’t let ourselves get stuck [in] a bad idea too long. We both have a veto that we use a lot. We are not in the business of creating Frankenstein’s.
We are both emotionally driven human beings, finding the right time and moment to work free from stress can be hard sometimes…

Do you think that being based in Berlin has in any way affected the Jonsson/Alter sound?
No. We have our roots in our record collections and memories. We are both seeking something and always looking ahead towards the horizon.

In England when people discuss clubbing in Berlin the conversation tends to be dominated by the club Berghain. Where else should discerning clubbers check out on a visit to Berlin?
If you enjoy electronic music and travel to Berlin, it’s very difficult to not have a good time. Explore, enjoy and find your paradise!

Finally, what does the future hold for you both?
Alongside our Jonsson & Alter work we both have solo releases scheduled for next year. Fun never ends, this is our life.

And if that wasn’t enough to whet your appetite then head over to their label Kontra’s Soundcloud page to hear a preview of the album. The record should also be available for purchase right about now! Enjoy!

| JOHN BITTLES

Ihre Meinung

Your email address will not be published.

Voriger Artikel

Auf anspruchsvollem Niveau

Nächster Artikel

Unwahres Wahrsagen

Weitere Artikel der Kategorie »Bittles' Magazine«

Sadness With A Dash Of Beats: An Interview With Emika

Music | Bittles’ Magazine: The music column from the end of the world

In a world which celebrates uniformity and mediocrity it is refreshing to find someone actively striving to create something interesting and new. In art, moulds are meant to be broken and stereotypes cast to the ground. One artist who understands this is Berlin resident Emika. Born Ema Jolly, and raised in Milton Keynes, Emika has utilized her classical training in piano and composition to form the foundation for a body of work which has taken in pop, classical, electronica, ambient and more. Never one to settle for the status quo, her music could resemble the gothic pop of Fever Ray one minute, the futuristic electro of Drexciya the next. By JOHN BITTLES

Ghostvillains and Love Songs: New Album Reviews

Music | Bittles’ Magazine: The music column from the end of the world Going by the number of overly cheery adverts on the telly I think it is safe to assume that Christmas is on the way. With everyone from family to friends willing to embrace this over-commercialized rubbish by demanding presents from yourself make the break from the slimy claw of capitalism this year by simply spending your hard-earned money on yourself. By JOHN BITTLES

20 Years Of Compost Records: An Interview with Michael Reinboth

Music | Bittles’ Magazine: The music column from the end of the world. An Interview with Michael Reinboth Compost Records is a Munich-based label which specializes in soulful and funky. Throughout a distinguished career they have released music which has touched on numerous styles and genres. From the vocal house of Robert Owens, the smooth techno of Roland Appel to the jazzy lick of Rainer Trüby Trio, and more, the only thing which unites every Compost release is the fantastic music to be found on each disc. By JOHN BITTLES

The Unofficial And, Possibly Incorrect, Tracks Of The Year

Bittles‘ Magazine | Tracks of the year Inspired by The Mercury Music Prize forum, this year I decided to form my own discussion group with the sole intention of picking out the best tracks of the year. That is why I got together with my cat (who has great taste in music), my elderly next-door neighbour and a random hipster who claimed he had nothing better to do, to compile a list of twenty songs that have made 2014 a fantastic year to be alive. By JOHN BITTLES