Music | Bittles’ Magazine: The music column from the end of the world Twenty years is a long time in dance music. Just ask all those ’next big things‘ who took a tumble, got lost in a cloud of coke, or found themselves forgotten and discarded by the world at large. To stay relevant in an ever shifting and competitive environment is no mean feat. Yet, over the last two decades, David Brown’s Swayzak project has made this achievement seem as easy as enraging a Daily Mail reader. By JOHN BITTLES
Music | Bittles’ Magazine: The music column from the end of the world The techno and deep house connoisseurs amongst you will no doubt already be familiar with the name Rennie Foster. BY JOHN BITTLES
Music | Bittles’ Magazine: The music column from the end of the world This week it’s all about that thing which we like to call house! Even though we’re only a month in, 2016 already looks like it will be a fab year for those who love their electronic grooves. By JOHN BITTLES
Musik | Bittles‘ Magazine There is a strong electronic element to this month’s album review round-up. I make no apologies for this considering there are such fine releases as ›Reality Testing‹ by Lone, ›Vaudeville‹ by Inigo Kennedy and ›Code‹ by Answer Code Request in amongst an absolute bumper crop of fantastic groove-based releases. So without further ado, let’s begin. By JOHN BITTLES
Musik | Toms Plattencheck Ob Blues, Stonerrock, minimalistischer Proto-Punk oder Acid House. Auch diese Woche wird wieder fleißig mit den Bausteinen der Popgeschichte jongliert. Von TOM ASAM
Bittles‘ Magazine Like any right-minded music lover I fell a little bit in love with Mod, the debut album by Jonsson/Alter upon its release in the cold autumn months of last year. It was the type of record that drifted into your consciousness and resided there unobserved until you came to realise how completely empty your life would be without it. So when news emerged of a follow-up I have to admit that I punched the air in delight (for me as a typical working-class male that is one huge display of emotion. Seriously!). By JOHN BITTLES
Bittles‘ Magazine | Interview with Screamin’ Rachael Rachael Cain, or Screamin’ Rachael as she is better known, is a bit of a legend in the house music scene. Labelled the »Queen of House« by those illustrious people at Billboard magazine, the name has stuck since it seems quite apt. Over the years Rachael has had a string of releases and been heavily involved with the legendary Trax Records. She has also invented her own musical genre (hip-house) together with Africa Bambaataa, and released some of the most sleazy, euphoric and downright funky music to be found. By JOHN BITTLES
Bittles‘ Magazine | Interview You know that sense of nervous anticipation you get as you put a new album on and you don’t know what to expect? That shiver of suspense you experience as you put the CD in the stereo, place the record on the turntable, or press play on the file is a pretty beautiful thing indeed. Yet nine times out of ten you end up disappointed by what you hear. Be it landfill indie, or generic tech-house nonsense with the personality of a paving slab, the discovery of new music can be a fraught and terrifying adventure
