Wisdom Is A Dancer: An Interview With Kim Brown

Music | Bittles’ Magazine: The music column from the end of the world

Without a doubt one of the musical highlights of 2013 was the album Somewhere Else It’s Going To Be Good by the Berlin-based duo Kim Brown. Its lush deep house textures, orchestrated beats and dazzling synth melodies instantly won it universal love and critical acclaim. Three years later and it still sends shivers up and down the spine. By JOHN BITTLES

Bittles Mag - Kim BrownIn a house scene dominated by unimaginative four to the floor monotony, songs such as Camera Moves, Christabel and Based On A True Story refreshed jaded house-heads like myself. Here was a band who understood that just because you like dance music doesn’t mean you don’t want emotional resonance, or a story with your grooves.

Since the success of Somewhere Else It’s Going To Be Good the band have released the excellent Batteries Not Included and Nabi 1970 EPs, remixed artists such as Grandbrothers and Stanley Schmidt, toured comprehensively, and delighted clubbers the world over with some absolutely storming DJ sets. In other words, the duo formed of Ji-Hun Kim and Julian Braun (hence the recording name Kim Brown) have had a successful and busy few years. Yet, somehow, they still found the time to retire to their Berlin-Kreuzberg studio to record a follow-up LP.

The result of their labours is the stunning and expansive Wisdom Is A Dancer, the band’s highly-anticipated sophomore album. Out now, the record takes the deep house template, and injects it with emotion, musicality and soul to give us a house album which you simply have to listen to from beginning to end. After the ambient hues of opener Rehearsed Engineering, Optionism effortlessly raises a smile with its gentle hand-claps, subdued beats and gorgeous piano refrain. Make no mistake, if the likes of Larry Heard created a tune this good we would rightly be talking about it for months. From here, Everything But A Piano conjures images of sunsets and blissful evenings spent alone, Transparent successfully merges a gentle piano refrain to a melancholic techno throb, Unperfect Circles is so beautiful it made my cat cry, and We Are Elementary is sure to get people a little bit emotional on the dance floor. In short, it’s ace!

Kim Brown Wisom is a dancerIn the following interview Kim Brown talk about the new record, the power of dancing, storytelling in house music, ambiance, Berlin and much more. And, if you are looking for a soundtrack to your reading you can stream the LP via XLR8R here Wisdom Is A Dancer.

For those who haven’t heard your music before, can you tell us a bit about who you are and what you do?
We are Ji-Hun Kim and Julian Braun from Berlin. We both started DJing in the late 90s and became friends in 2004. After playing and organizing some parties, we decided to produce music as a duo. It took a while, since we released our first EP Spring Theory on Just Another Beat in 2012. Beside making music, Julian works as a freelance motion and visual designer. Ji-Hun works as an editor, lecturer and journalist and runs the online magazine Das Filter.

Your new album Wisdom Is A Dancer is out on the 22nd of April. Why do we all need this album in our lives?
If you want to share our expeditions in order to find the perfect song in a house track and triggering emotions which are beyond the typical dancefloor paradigms, Wisdom Is A Dancer might be a good choice. It’s also about storytelling, enjoying a special moment with your best friends, showing that dance music is not only about quick pornographic orgasms, rather something intimate, audible and tactile in a subtle sense. We also wanted to arrange an album as an album. A narration, something with a meaning and not just a random compilation of club tools with filling skits in between.

Does the title have any special significance?
Obviously, the title refers to a famous hit from the early 90s. But in times of overwhelming social media noise, short attention spans, dumb EDM drops and selfish representations, we wanted to explore the basic feelings dancing to music can give people. Is there a different, sustainable approach to club music, was something we were discussing a lot. But in the end, it’s also a joke, hopefully not the worst.

If you could pick one track to sell the album which would it be and why?
Everything But A Piano represents the album in a good way. It’s minimalistic, romantic, classy, but also leaves a lot of space for individual interpretations.

The record opens with the lush ambiance of Rehearsed Engineering, which is a great way to start any LP. Can you tell us a bit about the idea behind this particular track?
Thanks, we hoped it to be a good intro for the album. We started working with mellotronesque sounds and those chords and thought: This sounds quite indie, oldschool electronica maybe a little bit like Boards of Canada. But in the end, it was Thaddeus who runs the label Just Another Beat. He said: „I’m going to release your album as long as Rehearsed Engineering is the opening track.“ We were lacking any arguments against it.

Have you ever considered scrapping the beats altogether and creating an ambient LP?
We love ambient music. But even though we tried to release ambient music before, we always ended up adding grooves and harmonic beats to ambient sound sketches, because we think grooves and drums are somehow the social elements of music. Something which brings people together, makes music communicative, physical and tactile. But never say never …

Tracks such as Optionism, Millions and Datasette (Vogue As A Concept) are gorgeously melodic, and contain a real sense of emotional depth. What’s the secret to creating emotional house music?
You are flattering us. Thank you. We don’t think there is a specific secret on creating emotions. But important is some solid knowledge about songwriting, harmonies, arranging tracks, trying to anticipate reactions and feelings as well as working constantly on smooth, elegant chord progressions and interesting, unconventional bass lines. But whilst producing music, you have to feel something, whether these are cinematic associations, wanderlust or, sorry and quite pathetic to say, love.

Bittles Mag Interview Kim Brown

Everything But A Piano, Transparent, Trinity College and We Are Elementary are beautifully deep and exactly the type of songs I love to hear in a club. How important is the appeal of the dance floor in the music that you make?
In our opinion, dance music is one of the most democratic music genres around. You don’t have to understand lyrics and words in a foreign language, you don’t have to know about any specific subcultural codes. Either you want to move your body to the music or not, that’s it. That’s what we love so much about music for dancefloors.

The album was recorded in your studio in Kreuzberg, Berlin. In what ways do you think your surroundings affected the music you made?
Berlin, as the capital of electronic music and club culture, definitely influenced the way we make music. We both have a history in playing clubs, spinning techno and house records. When you go out, the percentage of spending time in a 4-to-the-floor-location is pretty high. But these circumstances make it even more exciting to figure out the shades and facets in between.

You DJ, as well as playing live. What are the key components to working a dance floor?
Try to understand, react and interact with the audience. Have a good selection. Let the music be the protagonist. Play music like having a deep conversation on a perfect dinner party.

The album is coming out on Just Another Beat who also released your debut LP Somewhere Else It’s Going To Be Good. How did you first hook up with them?
Ji-Hun and Thaddeus Hermann, who runs Just Another Beat, used to work together as editors for De:Bug Magazine. Ji-Hun played an early Camera Moves  demo version at the office and the rest is history.

What does the future hold for you both?
To continue what we love, making music.

Do you have any final words for our readers?
Thank you and we hope you enjoy our new album.

The album is available now in all good download stores and record shops such as Phonica, Hardwax and more.


Ihre Meinung

Your email address will not be published.

Voriger Artikel

Anwesende Abwesenheit

Nächster Artikel


Weitere Artikel der Kategorie »Bittles' Magazine«

Can We Have Some Mo’ Wax Please!

Bittles‘ Magazine | Mo’Wax Records While browsing in my local book shop the other day I came across the recently published ›Mo’Wax Urban Archaeology: 21 Years of Mo’Wax Recordings‹. A mighty tome of a book, it chronicles the life and times of this beloved label, through meticulous design, a lot of love and some beautiful artwork. For former beatheads like myself it is a wonderful read, and quickly makes you nostalgic for the plethora of great songs they released over the years. By JOHN BITTLES

Melancholic Melodies And Organic Grooves: An Interview With Chic Miniature

Music | Bittles’ Magazine: The music column from the end of the world As a lover of electronic music it can get a bit overwhelming trying to keep up with the number of new releases coming out each week. For every Compro or Skylax House Explosion there are numerous functional house and techno records which are simply content to exist. This is why albums such as Ficción Futuro by Chic Miniature can seem like such a godsend. Formed of eight pieces of dance floor delight, the record manages to do a very rare thing these days, in that it works

Frankie Knuckles: A Tribute To A True Gentleman of House.

Bittles‘ Magazine As many of you are probably aware, Frankie Knuckles, the famous DJ and producer, passed away at his home in Chicago on the 31st of March 2014 from type II Diabetes-related complications. One of the originators of the house sound Frankie was much loved by everyone who had had the pleasure of meeting him, heard his music, or experienced the aural delight of one of his legendary DJ sets. By JOHN BITTLES

Waking Up with Mr.C.

Bittles‘ Magazine | Interview You know how every once in a while an album will come along that completely defies all your expectations and quite simply blows you away? You press play, sit down, and give the stereo that certain look which signifies that you are going to be very hard to impress. Within minutes though you’ve climbed up onto the table shaking your skinny little ass while waving your hands in the air with something approaching unbridled joy. By JOHN BITTLES

Lost Tracks And Inspiration: An Interview With Long Arm

Music | Bittles’ Magazine: The music column from the end of the world Music is memory. Sometimes all it takes is a mere hint of a melody, or the distant blast of a chorus to take you right back to the glory days of your youth. Faded memories suddenly seem clearer, while the feeling of nostalgia can be so intense that it almost seems we can reach out and touch our childhood toys. By JOHN BITTLES