Ghostvillains and Love Songs: New Album Reviews

Music | Bittles’ Magazine: The music column from the end of the world

Going by the number of overly cheery adverts on the telly I think it is safe to assume that Christmas is on the way. With everyone from family to friends willing to embrace this over-commercialized rubbish by demanding presents from yourself make the break from the slimy claw of capitalism this year by simply spending your hard-earned money on yourself. By JOHN BITTLES

This week I will be bringing you some great new vinyl releases which are guaranteed to cheer you up more than buying your annoying nephew a bike. We have the smoky hip hop of Romare, the delicious deep house of Keita Sano, the alt-rock introspection of The Notwist, the Balearic brilliance of Pyschemagik, and lots more.

 

Who Loves You by RomareWith a string of releases from the likes of Illum Sphere, Bonobo, and Letherette (review coming soon), as good a reason as any for clearing the wax out of your ears, it seems British label Ninja Tune are on a bit of a run right now. This November Romare adds to the list of fantastic new Ninja Tune albums with the sample-heavy downtempo grooves of his Love Songs: Part Two LP. Continuing the creative splicing of cultural influences which made his debut album Projections such a blast, Love Songs: Part Two is a rich and heady trip full of dusty samples, funk-strewn struts and lush beats.

The languid majesty of Who To Love? confidently opens proceedings, inducing shivers in those smart enough to have pressed play. Another early gem, All Night, is the sound of the blues and disco coming together to create one glorious whole. Other picks include the stop/start piano roll of Come Close To Me, the Rolling Stones on heroin rock dirge of Don’t Stop, the euphoria inducing swing of Who Loves You?, and the mid-paced house groove of L.U.V. Go buy! 9/10.

 

Kaita SanoSometimes, when the gods are smiling and the stars are aligned a record can come along to steadfastly claim a place in both your heart and soul. One such album is the sublime house rhythms and mid-paced techno grooves which make up Keita Sano’s self-titled LP. Out now on Prins ThomasRett I Fletta imprint, the label head himself describes Keita’s music as “Technoid yet lo-fi version of music for discotheques that’s uniquely his own”. I couldn’t put it better myself!

The album’s seven tracks have a drive and vitality which are sure to cause scenes of rapture in living rooms as well as on dance floors. The Detroit-style synths, acid squiggles and subdued throb of Full Of Love act like a good warm up set, getting the listener firmly in the mood. Just as good is the chunky Masters At Work style wallop of Leave The Floor. Other highlights include the deep disco swoon of Honey, the cut-up thump of Sucker Pt. 2, and the Mark E style chug of closer None Of Your Business. With each and every tune a success, Keita Sano has released a record full of wonderful club based delights. 9/10.

 

SaveFabricThe closing of London clubbing institution Fabric was an event which shook UK clubland to its core. Along with the closure of legendary venues such as The Arches and Plastic People this illustrated how perilous the very act of dancing has become. Thankfully, after a lengthy battle with Islington council, and a rallying cry across the nightlife community Fabric is due to reopen on the 6th of Jan. Part of the fight to finance Fabric’s legal process was the release of the jam-packed #Savefabric compilation.

Composed of a total of 111 tracks, any fan of electronic music will find something here to enjoy. From the brutal electronics of Bumshit (Vox) by µ-Ziq, to the Kompakt style splendour of Tribute by Agoria, the heavy bass rumble of Equal Lies by Addison Groove, to the nostalgic rave of Jam The Jam by Roman Flügel, the comp spans the entire breadth of the dance music spectrum. With so many songs to chose from, you probably won’t be listening to this in one go, but the real joy of #Savefabric is in discovering a whole host of new artists and sounds. 8/10.

 

The NotwistRecorded on the 16th of December 2015 at Ut Connewitz in Leipzig, German experimentalists The Notwist return this November with a rather wonderful new live LP. The aptly named Superheroes, Ghostvillains & Stuff is available in competent record shops now, and finds Markus and Micha Acher and friends in sparkling form. Mixing their trademark brand of melancholy and electronica, The Notwist create the perfect soundtrack for cold and grey autumn days.

If you haven’t had the pleasure of hearing the band before, then this hit-packed record is an excellent place to start. After the gentle fuzz of They Follow Me, Close To The Glass raises pulses with heavy percussion, fractured vocals and an almost techno tone. This sets the stage for Kong’s combination of krautrock and Markus‘ gorgeously accented vocals which enchants from the off. With old favourites such as Pick Up the Phone and Neon Golden sitting next to some dazzling newer tracks, Superheroes, Ghostvillains & Stuff is a lot better than any live album has any right to be. 8/10.

 

psychemagik ritual chainsSeparated into three parts – Love, Beach and Dance – disco connoisseurs Psychemagik’s new opus is available either in download, three individual double LPs, or as a bumper triple CD pack. Out now on the always reliable Eskimo Recordings, Ritual Chants Is a melodious and tranquil trip through the outer realms of club music. Adhering to the anything goes ethos of the classic Balearica of José Padilla or Alfredo, all the mixes conjure images of calm beaches, cold cocktails and sunburned feet.

CD1, (Love), is a suave collection of laidback gems, taking in Spanish guitars, mellow beats, French lounge-pop, and more. Disc 2 (Beach) ,meanwhile, introduces subdued disco and elegant electronica to proceedings, while the rare groove and funk-filled CD3 (Dance) is a fun and eclectic mix, yet might be a little too self-aware for some. Full of leftfield turns and ear-catching obscurities, Ritual Chants might just be the closest some of us get to basking in the sun over the next few months. 8/10.

 

Thomas Ragsdale Music from the Film before DawnA special mention must also go to: Music From The Film Before Dawn by Thomas Ragsdale – Originally released back in 2014, the gorgeously melodic ambiance of this soundtrack highlights just what a wonderful producer the This Is It Forever artist is, 9/10, Sound Of The 17th Season by Sven Väth – The techno legend presents the latest of his annual round-up of tunes which made his Cocoon night on Ibiza such a blast with a double CD packed with peak time delights, 8/10, The Aura by Pavel Dovgal – Beautiful and majestic, Project Mooncircle come up trumps yet again with an album of delicate trip hop grooves, 8/10, She Thought She Would Last Forever Remixed by Abstraxion – Acts such as Tuff City Kids, Kasper Bjørke, Clarian and Ripperton take the melodic ambiance of Harold Boué’s original compositions and drag them firmly towards the floor, 7/10, The Second Annual Fundraiser War Child by V/A – The 2nd of Craigie Knowe’s yearly charity comps features smooth ambiance, lush house, deep electro and more from artists including Chaos In the CBD, Shanti Celeste, The Burrell Connection and Legowelt, 8/10, and In Dub by Jah Wobble – After last year’s 6 disc Anthology, Cherry Red Records release a double CD compiling some of the bass disciples‘ greatest dubs. If the gloriously deep Club Scene Dub, or the cool ska tones of Kojak Dub don’t get you in the mood then you should hang your head in shame, 8/10.

| JOHN BITTLES

Ihre Meinung

Your email address will not be published.

Voriger Artikel

Keine Patentrezepte

Nächster Artikel

Der alte Mann, der sein Leben bei sich trug

Weitere Artikel der Kategorie »Bittles' Magazine«

»Nothing Matters When We’re Dancing« – November’s new albums

Bittles‘ Magazine | Record Review Ok, I admit it. I am addicted to music! Yet, you can hardly blame me, when there are so many great new albums out there all vying desperately for my time and love. Why, in November alone we have absolutely amazing new records by the likes of Recondite, Clark, Juju & Jordash, Frank & Tony, Biblo, The Twilight Sad and many, many more. Is it any wonder that I hardly ever leave the house anymore, my friends think I’m dead and that my girlfriend has dumped me because I insist on keeping my headphones on

A Love I Can’t Explain: New Album Reviews

Music | Bittles’ Magazine: The music column from the end of the world With a cruel arctic chill threatening to overwhelm the country, it’s time for any sane person, or maybe just me, to consider giving up on the outside world and indulging in an extended duvet break. This week’s selection of albums will make the perfect soundtrack to cosying up in a home-made blanket fort with either your loved one or yourself. By JOHN BITTLES

Balearic House And Disco Kicks: An Interview With Nadiem Shah

Music | Bittles’ Magazine: The music column from the end of the world Belgian imprint Eskimo Recordings is rightly revered by those who like their music adventurous, melodic and infused with groove. Killer releases by the likes of Aeroplane, Reverso 68, Low Motion Disco (if you haven’t heard Keep It Slow yet then you’re missing a treat), Prins Thomas, Blamma Blamma feat Kristina Train and Mees Dierdorp have illuminated dance floors far and wide. Long seen as a stalwart of the Balearic/cosmic disco scene, one look at their back catalogue illustrates that there are many strings to Eskimo’s bow.

All That Must Be Will Be: New Album Reviews

Music | Bittles’ Magazine: The music column from the end of the world After a short break, which I spent mostly watching John Hughes movies, singing along to Taylor Swift and catching up on my nap time, everyone’s favourite music column makes a welcome return this week. My original idea to publish a story about a lonely hedgehog who finds love through the music of Right Said Fred was rejected by the dictatorial editors at ›TITEL kulturmagazin‹, so I bring you reviews of some fantastic albums instead. We have the deep house grooves of Deetron and George Fitzgerald, the drug

The Soul Of The Machine

Music | Bittles’ Magazine: The music column from the end of the world Fans of graceful soundscapes and bittersweet electronica are probably already familiar with the name Mario Hammer And The Lonely Robot. 2015’s  L’esprit De L’escalier for Cologne label Traum was a cerebral and mesmerising journey into the soul. With the highest of production values, and an open-hearted emotional core, its thirteen tracks of soft-focus ambiance were, and still are, a rare treat for the ears. By JOHN BITTLES