Ghostvillains and Love Songs: New Album Reviews

Music | Bittles’ Magazine: The music column from the end of the world

Going by the number of overly cheery adverts on the telly I think it is safe to assume that Christmas is on the way. With everyone from family to friends willing to embrace this over-commercialized rubbish by demanding presents from yourself make the break from the slimy claw of capitalism this year by simply spending your hard-earned money on yourself. By JOHN BITTLES

This week I will be bringing you some great new vinyl releases which are guaranteed to cheer you up more than buying your annoying nephew a bike. We have the smoky hip hop of Romare, the delicious deep house of Keita Sano, the alt-rock introspection of The Notwist, the Balearic brilliance of Pyschemagik, and lots more.


Who Loves You by RomareWith a string of releases from the likes of Illum Sphere, Bonobo, and Letherette (review coming soon), as good a reason as any for clearing the wax out of your ears, it seems British label Ninja Tune are on a bit of a run right now. This November Romare adds to the list of fantastic new Ninja Tune albums with the sample-heavy downtempo grooves of his Love Songs: Part Two LP. Continuing the creative splicing of cultural influences which made his debut album Projections such a blast, Love Songs: Part Two is a rich and heady trip full of dusty samples, funk-strewn struts and lush beats.

The languid majesty of Who To Love? confidently opens proceedings, inducing shivers in those smart enough to have pressed play. Another early gem, All Night, is the sound of the blues and disco coming together to create one glorious whole. Other picks include the stop/start piano roll of Come Close To Me, the Rolling Stones on heroin rock dirge of Don’t Stop, the euphoria inducing swing of Who Loves You?, and the mid-paced house groove of L.U.V. Go buy! 9/10.


Kaita SanoSometimes, when the gods are smiling and the stars are aligned a record can come along to steadfastly claim a place in both your heart and soul. One such album is the sublime house rhythms and mid-paced techno grooves which make up Keita Sano’s self-titled LP. Out now on Prins ThomasRett I Fletta imprint, the label head himself describes Keita’s music as “Technoid yet lo-fi version of music for discotheques that’s uniquely his own”. I couldn’t put it better myself!

The album’s seven tracks have a drive and vitality which are sure to cause scenes of rapture in living rooms as well as on dance floors. The Detroit-style synths, acid squiggles and subdued throb of Full Of Love act like a good warm up set, getting the listener firmly in the mood. Just as good is the chunky Masters At Work style wallop of Leave The Floor. Other highlights include the deep disco swoon of Honey, the cut-up thump of Sucker Pt. 2, and the Mark E style chug of closer None Of Your Business. With each and every tune a success, Keita Sano has released a record full of wonderful club based delights. 9/10.


SaveFabricThe closing of London clubbing institution Fabric was an event which shook UK clubland to its core. Along with the closure of legendary venues such as The Arches and Plastic People this illustrated how perilous the very act of dancing has become. Thankfully, after a lengthy battle with Islington council, and a rallying cry across the nightlife community Fabric is due to reopen on the 6th of Jan. Part of the fight to finance Fabric’s legal process was the release of the jam-packed #Savefabric compilation.

Composed of a total of 111 tracks, any fan of electronic music will find something here to enjoy. From the brutal electronics of Bumshit (Vox) by µ-Ziq, to the Kompakt style splendour of Tribute by Agoria, the heavy bass rumble of Equal Lies by Addison Groove, to the nostalgic rave of Jam The Jam by Roman Flügel, the comp spans the entire breadth of the dance music spectrum. With so many songs to chose from, you probably won’t be listening to this in one go, but the real joy of #Savefabric is in discovering a whole host of new artists and sounds. 8/10.


The NotwistRecorded on the 16th of December 2015 at Ut Connewitz in Leipzig, German experimentalists The Notwist return this November with a rather wonderful new live LP. The aptly named Superheroes, Ghostvillains & Stuff is available in competent record shops now, and finds Markus and Micha Acher and friends in sparkling form. Mixing their trademark brand of melancholy and electronica, The Notwist create the perfect soundtrack for cold and grey autumn days.

If you haven’t had the pleasure of hearing the band before, then this hit-packed record is an excellent place to start. After the gentle fuzz of They Follow Me, Close To The Glass raises pulses with heavy percussion, fractured vocals and an almost techno tone. This sets the stage for Kong’s combination of krautrock and Markus‘ gorgeously accented vocals which enchants from the off. With old favourites such as Pick Up the Phone and Neon Golden sitting next to some dazzling newer tracks, Superheroes, Ghostvillains & Stuff is a lot better than any live album has any right to be. 8/10.


psychemagik ritual chainsSeparated into three parts – Love, Beach and Dance – disco connoisseurs Psychemagik’s new opus is available either in download, three individual double LPs, or as a bumper triple CD pack. Out now on the always reliable Eskimo Recordings, Ritual Chants Is a melodious and tranquil trip through the outer realms of club music. Adhering to the anything goes ethos of the classic Balearica of José Padilla or Alfredo, all the mixes conjure images of calm beaches, cold cocktails and sunburned feet.

CD1, (Love), is a suave collection of laidback gems, taking in Spanish guitars, mellow beats, French lounge-pop, and more. Disc 2 (Beach) ,meanwhile, introduces subdued disco and elegant electronica to proceedings, while the rare groove and funk-filled CD3 (Dance) is a fun and eclectic mix, yet might be a little too self-aware for some. Full of leftfield turns and ear-catching obscurities, Ritual Chants might just be the closest some of us get to basking in the sun over the next few months. 8/10.


Thomas Ragsdale Music from the Film before DawnA special mention must also go to: Music From The Film Before Dawn by Thomas Ragsdale – Originally released back in 2014, the gorgeously melodic ambiance of this soundtrack highlights just what a wonderful producer the This Is It Forever artist is, 9/10, Sound Of The 17th Season by Sven Väth – The techno legend presents the latest of his annual round-up of tunes which made his Cocoon night on Ibiza such a blast with a double CD packed with peak time delights, 8/10, The Aura by Pavel Dovgal – Beautiful and majestic, Project Mooncircle come up trumps yet again with an album of delicate trip hop grooves, 8/10, She Thought She Would Last Forever Remixed by Abstraxion – Acts such as Tuff City Kids, Kasper Bjørke, Clarian and Ripperton take the melodic ambiance of Harold Boué’s original compositions and drag them firmly towards the floor, 7/10, The Second Annual Fundraiser War Child by V/A – The 2nd of Craigie Knowe’s yearly charity comps features smooth ambiance, lush house, deep electro and more from artists including Chaos In the CBD, Shanti Celeste, The Burrell Connection and Legowelt, 8/10, and In Dub by Jah Wobble – After last year’s 6 disc Anthology, Cherry Red Records release a double CD compiling some of the bass disciples‘ greatest dubs. If the gloriously deep Club Scene Dub, or the cool ska tones of Kojak Dub don’t get you in the mood then you should hang your head in shame, 8/10.


Ihre Meinung

Your email address will not be published.

Voriger Artikel

Keine Patentrezepte

Nächster Artikel

Der alte Mann, der sein Leben bei sich trug

Weitere Artikel der Kategorie »Bittles' Magazine«

For the Love of Music: An Interview With Mat Playford

Bittles‘ Magazine | Interview: Mat Playford Fans of deep, groovy house music with a warm Balearic twist are in for a real treat this month in the form of ›Too Big To Fail‹, the sparkling new album by dance music icon Mat Playford. The record is made up of eleven lush tracks and is a calm, sedate affair whose laid back feel betrays a razor-sharp political edge. When you combine this with Mat’s gleeful will to experiment and constantly push past idle genre restrictions it makes the album one of the most stimulating and engrossing of the year. By JOHN

Music From The Margins: New Albums Reviewed

Music | Bittles’ Magazine: The music column from the end of the world Usually when I am sitting on the street with my placard reading ‘I write about music for a living, please give generously’ people will take pity and throw a few coins in my lap. The other day though, someone took umbrage at my sign, demanding that I follow them home. After a hearty meal of pot noodle and chips he insisted that I watch coverage of the BBC Radio 1 Big Weekend Festival. 20 minutes of charmless pop later he switched the TV off, turned towards me

Only House Remains: May New Singles Reviewed

Music | Bittles’ Magazine: The music column from the end of the world Sometimes I can get a bit frustrated with music. In today’s internet filled world it seems like there is new music everywhere you look, which can get a little overwhelming at times. Gone are the days when you would have saved up for weeks to buy that one cherished record, listening to it over and over again, simply because you had nothing else to put on. By JOHN BITTLES

All This Heartache Is More Than I Can Bear.

Bittles‘ Magazine The rather wonderful album Happiness was released by UK band The Beloved way back when dinosaurs still roamed the earth (or 1990 if you don’t wish to be facetious). The record came out at the very beginning of the new decade which promised a new start after the poverty and depression of Thatcher’s 80s. Acid house, rap, and indie were all meshing together into a somewhat glorious aural mess. By JOHN BITTLES

2017: The Albums Of The Year So Far

Music | Bittles’ Magazine: The music column from the end of the world This week I have taken it upon myself to highlight, in no particular order, some of the albums released in the first half of 2017 which have forced me to crack a smile, and convinced me that getting out of bed isn’t a complete waste of time. By JOHN BITTLES